In 2011, Sacred Number and the Origins of the Universe was nicely re-published in Portuguese by Publisher Pensamento in Brazil. Their press agent contacted my publisher for an email interview from a journalist who posed eleven questions about sacred number.
1) Is the universe a mathematical equation?
If the universe is a creation then it needs to have organizing principles governing its structure. I believe that this structure is governed by what we call sacred numbers. Numbers relative to each other form proportions that in sound are perceived as musical intervals. The universe is more like a set of musical possibilities, making it more dramatic and open-ended than an equation.
The Kaaba appears to express a geometrical progression of adjacent odd numbers starting with one and three. This differs from the super-particular ratios found within the right triangles of astronomical time periods formed by the Megalithic, in which the ratio pairs separated by only one rather than by two, between only odd numbers. However, the multiple-square rectangles used by the megalithic to approximation celestial ratios, made use of the three-square rectangle. In one of the smallest of these rectangles, it simultaneously approximates two pairs of ratios: The eclipse year (346.62 days) to the solar year (365.2422 days) and the solar year to the thirteen lunar month year (384 days).
This article explores the use of axe motifs within a form of carved schematic art unique to the megalithic monuments near Carnac, southern Brittany, France. First published in February 2014.
A diagram found on the underside of the capstone
of a chambered dolmen called Kercado (see figure 1) appears to hold
metrological and astronomical meanings. Classified as a type of AXE, local axe
motifs are said to have three distinct forms (a) triangular blades, (b) hafted
axes and (c) the Mane Ruthual type [Twohig, 1981].
Types b and c are often found in the singular on
the undersides to roof slabs and in the case of form (b), the hafted axe, I
have attributed its display below the roof slab of Table des Marchands at Locmariaquer (inset right) as being used to
represent the north pole between 5000 and 4000 BC, at a time when there was no
star near to the pole itself. The abstract point of the north pole, the
rotational axis of the earth, is shown as a loop attached to the base of the axe
haft, whilst the axe head then represented a chosen circumpolar star, as this
rotates counter-clockwise in the northern sky, at the fixed distance of the
haft from the pole itself. Note how compatible this idea of an axe ploughing
the northern skies is to our own circumpolar constellation, The Plough. Note
also that the eastern horizon moves through the equatorial stars at the same
angular rate as the marker star moves around the north pole.
In reviewing some ancient notes of mine, I came across an interesting comparison between the Golden Mean (Phi) and PI. They are more interesting in reverse:
A phi square (area: 2.618, side: 1.618) has grown in area relative to a unit square by the amount (area: 0.618) plus the rectangle (area:1 ). This reveals the role of phi’s reciprocal square (area: 0.384) in being the reciprocal of the reciprocal so that in product they return the unity (area: 1).