## St Pierre 1: Jupiter and the Moon

The egg-shaped stone circles of the megalithic, in Brittany by c. 4000 BC and in Britain by 2500 BC, seem to express two different astronomical time lengths, beside each other as (a) a circumference and then (b) a longer, egg-shaped extension of that circle. It was Alexander Thom who analysed stone circles in the 20th century as a hobby, surveying most of the surviving stone circles in Britain and finding geometrical patterns within irregular circles. He speculated the egg-shaped and flattened circles were manipulating pi so as to equal three (not 3.1416) between an initial radius and subsequent perimeter, so making them commensurate in integer units. For example, the irregular circle would have perimeter 12 and a radius of 4 (a flattened circle).

However, when the forming circle and perimeter are compared, these can compare the two lengths of a right-triangle while adding a recurring nature: where the end is a new beginning. Each cycle is a new beginning because the whole geocentric sky is rotational and the planetary system orbital. The counting of time periods was more than symbolic since the two astronomical time periods became, by artifice, related to one another as two integer perimeters that is, commensurate to one another, as is seen at St Pierre (fig.3).

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## Fibonacci in Jupiter’s 12-fold Heaven

The Fibonacci series is an ideal pattern, widely found within living systems, in which the present magnitude or location of something is the product of two previous magnitudes or locations of it. The next magnitude will again be the sum of the last two magnitudes in what is, an algorithmic pattern producing approximation to the Golden Mean (designated by the Greek letter φ,’phi’). As the series gets larger, the ratio (or proportion) between successive magnitudes will better approximate the irrational value of φ = 1.618033 … – which has an unlimited fractional part whilst the virtue of the Fibonacci numbers within the Series is that they are integers forming rational fractions.

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## Gavrinis 1: Its dimensions and geometrical framework

This article first appeared in my Matrix of Creation website in 2012 which was attacked, though an image had been made. Some of this material appeared in my Lords of Time book.

Gavrinis and Tables des Marchands are very similar monuments, both in the orientation of their passageways and their identical latitudeGavrinis is about 3900 metres east of Tables des Marchands but, unlike the latter, has a Breton name based upon the root GVR (gower). Both passageways directly express the difference between the winter solstice sunrise and the lunar maximum moonrise to the South, by designing the passages to allow these luminaries to enter at the exact day of the winter solstice or the most southerly moonrise over many lunar orbits, during the moon’s maximum standstill. Thus both the monuments allow the maximum moon along their passageway whilst the winter solstice sunrise can only glance into their end chambers.

From Howard Crowhurst’s work on multiple squares, we know that this difference in angle is that between a 3-4-5 triangle and the diagonal of a square which is achieved directly by the diagonal of a seven square rectangle.

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## Use of foot ratios in Megalithic Astronomy

The ratios of ancient metrology emerged from the Megalithic innovations of count&compare: counting time as length and comparing lengths as the longest sides of right triangles. To compare two lengths in this way, one can take a longer rope length and lay it out (say East-West), starting at the beginning of the shorter rope length, using a stake in the ground to fix those ends together.

The longer rope end is then moved to form an angle to the shorter, on the ground, whilst keeping the longer rope straight. The Right triangle will be formed when the longer rope’s end points exactly to the North of the shorter rope end. But to do that one needs to be able to form a right angle at the shorter rope’s end. The classic proposal (from Robin Heath) is to form the simplest Pythagorean triangle with sides {3 4 5} at the rope’s end. One tool for this could then have been the romantic knotted belt of a Druid, whose 13 equally spaced knots could define 12 equal intervals. Holding the 5th knot, 8th knot and the starting and ending knots together automatically generates that triangle sides{3 4 5}.

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## Harmonic Genesis of the Sumerians

The emergence of 2, 3, 5 from ONE then combining as ANU and leading to the differentiation of the World along various paths. The creation proceeds through three prime number dimensions, Ea (as in Earth) through 2, Enki through 3 , Enlil through 5. Anu remains the fountainhead associated with all three and with the Zodiac, which emerged in later Babylonian as a seasonally relevant calendar.

Here I start by publishing an important diagram that shows how the earliest known references to musical tuning (early 4th millennium BC) on clay cuneiform tablets, using “regular numbers” whose factors are products of only the numbers 2, 3 and 5, led to the cosmological vision of their gods, the primary god, Anu, being a balanced mix of all three numbers as 60 but also called ONE. This is the source of their Sexagesimal  or base-60, still employed in measuring angles and time called minutes and seconds. All comes from ONE.

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## Thornborough Henge as Moon’s Maximum Standstill

The three henges appear to align to the three notable manifestations to the north west of the northerly moon setting at maximum standstill. The distance between northern and southern henge entrances could count 3400 days, each 5/8th of a foot (7.5 inches), enabling a “there and back again” counting of the 6800 days (18.618 solar years/ 19.618 eclipse years) between lunar maximum standstills.

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