Number Symbolism at Table des Marchands

Table des Marchands, a dolmen at Lochmariaquer, can explain how the Megalithic came to factorise 945 days as 32 lunar months by looking at the properties of the numbers three, four and five. At that latitude, the solstice angle of the sun on the horizon shone along the 5-side of a 3-4-5 triangle to east and west, seen clearly at the Crucuno Rectangle "Lunar Counting from Crucuno Dolmen to its Rectangle".

Before numbers were individually notated (as with our 3, 4 and 5 rather than |||, |||| and |||||) and given positional notation (like our decimal seen in 945 and 27), numbers were lengths or marks and, when marks are compared to accurately measured lengths measured out in inches, feet, yards, etc. then each vertical mark would naturally have represented a single unit of length. This has not been appreciated as having been behind marks like the cuneiform for ONE; that it probably meant “one unit of length”.


Figure 1 The end and cap stone inside the dolmen Table des Marchands in which the elementary numbers in columns and rows perhaps inspired its attribution to the accounts of merchants
Locmariaquer (Morbihan, Bretagne, France) : la Table des Marchand, interieur.
Continue reading “Number Symbolism at Table des Marchands”

Megalithic application of numeric time differences

Natural time periods between celestial phenomena hold powerful insights into the numerical structure of time, insights which enabled the megalith builders to access an explanation of the world unlike our own. When looking at two similarly-long time-periods, the megalithic focussed on the difference between them, these causing the two periods to slide in and out of phase, generating a longer period in which the two celestial bodies exhibit a complete ensemble of variation, in their relationship to each other. This slippage of phase between celestial periods holds a pattern purely based upon number, hidden from the casual observer who does not study them in this way. Such numerical patterns are only fully revealed through counting time and analysing the difference between periods numerically.

For example, the solar year is longer than the lunar year by 10 and 7/8 days (10.875 days) and three solar years are longer than three lunar years by three times 10.875 days, that is by 32 and 5/8th days (32.625 days), which is 32/29 of a single lunar month of 29.53 days.

The earliest and only explicit evidence for such a three year count has been found at Le Manio’s Quadrilateral near Carnac (circa 4,000 BCE in Brittany, France) used the inches we still use to count days, a “day-inch” unit then widespread throughout later megalithic monuments and still our inch, 1/12 of the foot [Heath & Heath. 2011]. The solar-lunar difference found there over three years was 32.625 day-inches, is probably the origin of the unit we call the megalithic yard and the megalith builders appear to have adopted this differential length, between a day-inch count over three lunar and solar years, in building many later monuments.


Figure 1 (in plan above) The monumentalising of a three-year day inch count at Le Manio as a right triangle based upon its southern kerb (in profile below), automatically generating the megalithic yard.
Continue reading “Megalithic application of numeric time differences”

Autonomous Nature of Ancient Numerical Mysteries

The numerical foundations of the “earth mysteries” were nominally present in the medieval doctrine of the four numerical arts, the Quadrivium of sacred numbers, geometry, musical harmony and astronomy. However, these foundations need to be applied to something real which is: the numerical nature of the world seen from being alive upon it. This application gives a completely different set of results to modern science where, instead, numbers are being employed for measurements and calculations (using the physical laws discovered after the medieval period came to an end.)

The ancient mysteries treated numbers as having characteristics
seen to be active within the world.

In applying these numerical arts, one comes into contact with mysteries in the form of ancient monuments, art and literary works, these containing the clues required for developing, in oneself, a kind of skill. This skill can mature into being able to recover information in the most unlikely circumstances because something apparently other to oneself is active within you: a developed sense. This I call the autonomous nature of the mysteries, which is essential when going beyond what is simply data in books, monuments, etc. I believe it is mistaken to call such mystery work historical since it is actually happening in the present moment to create something new, whilst appearing to reference data from the past. Historical data provides the necessary starting points for a new work of reconstructing the mysteries within oneself.

Continue reading “Autonomous Nature of Ancient Numerical Mysteries”

Three Keys to the Kaaba

first published 2016

The prophet Mohammad declared himself the last prophet of Allah, a name resembling the El Shaddai (trans. Lord God, KJV) of Abraham in the Bible. Mohammad galvanised the Arabs and nearby nations with an original religion, branching off from the start of the Patriarchs found in the Bible’s first book, Genesis. His story follows Ishmael, the first son of Abraham, from whom the Arabs believe themselves descended.

The Kaaba’s of Abraham (left) and Mohammad

Mohammad’s religion of Islam (“salvation”) started in Mecca where he received visions of angels and spontaneously recited suras (verses) which became the Quran and associated texts. An unknown history of Abraham and Ishmael emerged, intimate with Mecca, long a spiritual centre for the Arabs. Mecca’s principle monument, the Kaaba or “cube”, has taken a number of forms. Adam located it as a dolmen created by God when Adam was formed; Ishmael built the next design for his father, “open to the sky”, using surface stones from nearby mountains; and Mohammad’s dispensation adds ancient stories about cubic arks and located these as a renewed Kaaba, the prime centre, or Pole of redemption for the world.

The three keys will be the Kaaba as Ark, Pole (Qutub) and model of Great Time.

Continue reading “Three Keys to the Kaaba”

Astronomical Rock Art at Stoupe Brow, Fylingdales

first published 28 October 2016

I recently came across Rock Art and Ritual by Brian Smith and Alan Walker, (subtitled Interpreting the Prehistoric landscapes of the North York Moors. Stroud: History Press 2008. 38.). It tells the story: Following a wildfire of many square miles of the North Yorkshire Moors, thought ecologically devastating, those interested in its few decorated stones headed out to see how these antiquities had fared.

Background

Fire had revealed many more stones carrying rock art or in organised groups. An urgent archaeological effort would be required before the inevitable regrowth of vegetation.


Figure 1 Neolithic stone from Fylingdales Moor | Credit: Graham Lee, North York Moors National Park Authority.

A photo of one stone in particular attracted my attention, at a site called Stoupe Brow (a.k.a. Brow Moor) near Fylingdales, North Yorkshire.

Continue reading “Astronomical Rock Art at Stoupe Brow, Fylingdales”

Lunar Counting from Crucuno Dolmen to its Rectangle

Figure 1 The entrance of Crucuno’s cromlech, which opens to the south-east
[Summer Solstice, 2007]

It is not immediately obvious the Crucuno dolmen (figure 1) faces the Crucuno rectangle about 1100 feet to the east. The role of dolmen appears to be to mark the beginning of a count. At Carnac’s Alignments there are large cromlechs initiating and terminating the stone rows which, more explicitly, appear like counts. The only (surviving) intermediate stone lies 216 feet from the dolmen, within a garden and hard-up to another building, as with the dolmen (see figure 2). This length is interesting since it is twice the longest inner dimension of the Crucuno rectangle, implying that lessons learned in interpreting the rectangle might usefully apply when interpreting the distance at which this outlier was placed from the dolmen. Most obviously, the rectangle is 4 x 27 feet wide and so the outlier is 8 x 27 feet from the dolmen.

Continue reading “Lunar Counting from Crucuno Dolmen to its Rectangle”