If one takes the figure of 940 feet (that is, 286.512 meters) as the side length factorizing 940 gives 20 x 47 and 47 (a prime number) times 5 gives 235 which is the number of lunar months in 19 solar years: the Metonic period. image by Google Earth
This is the larger of three bounding periods for the sun, moon, and earth. The lower boundary is exactly 19 eclipse years, called the Saros eclipse period of 18.03 solar years. . Within that range of 18-19 years lies the moon’s nodal period of 18.618 years, this being the time taken for the two lunar nodes, of the lunar orbit, to travel once backwards around the ecliptic. It is only at these nodal points that eclipses of sun and moon can occur, when both bodies are sitting on the nodes.
The first article on Ushtogai showed how, by daily counting all the tumuli in a special way, the 6800 days of the nodal period would keep a tally in days, to quantify where the nodes were on the ecliptic as well as predicting the lunar maximum and minimum standstills.
It now seems that, if the absolute size of the monument’s perimeter was able to count the 19-year Metonic, not by counting days but rather, counting the 235 lunar months of the Metonic period. The lunar month would then be 16 feet long. And, within that counting, one could also have counted the 223 lunar months between eclipses having the same appearance. The diameter of a circle drawn within the square would then have a diameter of 235 (lunar months) divided by 4 = 58.75 lunar months which, times the 16 feet per month, is the 940 feet of the square’s side length.
Figure 1. The size of Ushtogai Square, side length 940 feet, is 235 x 4 feet, making its perimeter able to count 235 lunar months of 16 feet.
In Cappadocia, present-day Turkey, this type of geometrical usage can be seen within a rock-cut church called Ayvali Kelise, only then in miniature to form a circular apse, just over 100 times smaller! The church was built in the early Christian period (see figure 2).
The Ushtagai Square has the basic form for the equal perimeter geometry. If so, that would form a tradition at least 10,000 years old. As a counting framework for the 18-19 solar year recurrences of aspects between the the Sun, Moon, Earth, eclipses and nodes the Square appears to be both a tour-de-force in a form of astronomy now largely forgotten.
Figure 3 Showing the circle equal in perimeter to the Ushtagai Square, the size of the Earth (in-circle of diameter 11) and Moon (four circles of diameter 3.)
As an earthwork where tumuli punctuate geometrical lines, it is a highly portable symbol of great time and a highly specific astronomical construction. It was an observatory and also a snapshot within celestial time, built just after the Ice Age had ended.
This article is from June 2012 on my past Matrix of Creation site where it was read 548 times at the time of last backup. It led to another article and so I repeat it here.
The late Hugh Harleston Jr revealed the famous Mexican pyramids at Teotihuacanas being the manifestation of a very advanced megalithic culture, the Olmec as a root culture for New World Megalithism of Mexico and South America (that led to the Maya nearly a millennium later, the Aztec and the Inca) . The Teoti city-building culture started around 200 BCE but it is not exactly clear when the great city started to be built or what it represented. However, Carnac’s megalithic geometries, its day-inch counting within monuments and evident use of circumpolar astronomy suggests important new clues in the interpretation of this sacred city’s design.
So I will open a new thread here to look at the Teotihuacas and the Maya. What better way to start than by immediately identifying the more formal part of the city as following the outline of a triple square, the geometry that in the old world linked the solar year to the eclipse year. Harleston’s web site had a very detailed site plan encoded in special units, called STUs or Hunabs which themselves appear derived from the metre but are also very close to the an Egyptian double royal cubits in length, in its Standard Geographical form (using John Neal’s classification). Harleston’s actual length for the Hunab is exactly the twelfth root of two metres, but that is another story.
The triple square is shown defining North with its diagonal but the sides follow the bearing of the “solar highway” (sometimes also known as The Path of the Dead), which is about fifteen and a half degrees east of north rather than the 18.43 degrees of a triple squares diagonal. However the diagonal runs through the two pyramids west of north by about three degrees minus two minutes even though the diagonal was NOT made to point directly North for reasons that may emerge. Instead, the principle axis ofthe triple square could be pointing to a circumpolar star at maximum eastern elongation and in fact, the behaviour of circumpolar stars could be responsible for the wide range of alignments found in Mexican pyramids over many centuries.
In the case of Teotihuacan, the triple square eems to point at the ex-pole star Thurban around 168 BCE, which could therefore be the date of foundation for the building of the city, since all else proceeds from this alignment of the road. Thurban, in this epoch, was rapidly moving away from the pole due to the precession of the north pole (and equinoxes), from its “reign” as the pole star when the Great Pyramid was built at Giza, whose northern “air shaft” pointed to Thurban. What could be happening is that when megalithism is practiced between 10-20 degrees latitude, the residual circumpolar region is shrunk but can nonetheless form part of the symbolic astronomy towards which megalithic structures are defined.
The long road structure at Teotihuacan pointed directly towards the maximum elongation of Thurban to the east, in 170 BCE.
At Lochmariaquer, the triple square pointing north was employed to count time in day-inches and even though the units seem different, the subject of such counts are the relations found between the solar and eclipse year. The epitome of this is found in the completing cycle of the sun and moon over nineteen years, called the Metonic period. The Saros period that dominates eclipse phenomena is nineteen eclipse years long, the difference between 19 eclipse years and 19 solar years exactly one lunar year of twelve lunar months.
Figure 3 The north facing triple square at Locmariaquer used the Tumulus d’Er Grah to mark a day-inch count for the Saros period, leaving an implicit metonic period count to the direct north.
At Locmariaquer (circa. 4500 BCE), its tumulus ended, in similar fashion, one Saros period from the starting point at Er Grah and this can be equated with the length of the triple square at Teotihuacan, making the diagonal equal to the length of the Metonic period of nineteen years. At this scaling, each day would be 365 millimetres long – showing how large megalithic monuments have to be if each millimeter is to represent just the four minutes that it takes for the earth’s rotation to catch up with the sun’s movement in a day, on the ecliptic.
The parallelism between Lochmariaquer and Teotihucan is striking as a mode of astronomical symbolism that naturally makes monuments of different epochs a unique statement within a continuing tradition that is best calledMegalithism. Megalithism has its roots in astronomical symbolism and rituals strongly tied to astronomical periods, many of which have been sublimated or dropped within modern calendars.
Chapter 9: Quetzalcoatl’s Brave New World of Harmonic Origins of the World describes some of the number sciences of the Olmec and their derivative New World civilizations.
Read 1458 times when last published on MatrixOfCreation.co.uk, Wednesday, 16 May 2012 14:22
At megalithic sites, the only alignment of note on the northern horizon has usually been the direction of the north pole or “true” North on the site plan. “Megalithic” cultures worldwide, both the later manifestations in the Americas or the old world cultures of Northwest Europe or Egypt, built structures oriented in a very accurate way to North. The builders of the Great Pyramid for example or of the geo-glyphs of the Amazon rainforest, seemed to have had an unexpectedly good method for determining North, no easy task when a pole star is never exactly north and, in many epochs, there is no star near to the pole.
The word Alignment is used in France to describe its stone rows. Their interpretation has been various, from being an army turned to stone (a local myth) to their use, like graph paper, for extrapolation of values (Thom). That stone rows were alignments to horizon events gives a partial but useful explanation, since menhirs (or standing stones) do form a web of horizon alignments to solstice sun and to the moon’s extreme rising and setting event, at maximum and minimum standstill. At Carnac the solstice sun was aligned to the diagonal of the 4 by 3 rectangle and maximum and minimum standstill moon aligned to the diagonal of a single or double square, respectively.
It seems quite clear today that stone rows at least represented the counting of important astronomical time periods. We have seen at Crocuno that eclipse periods, exceeding the solar year, are accompanied by some rectalinear structures (Le Manio, Crucuno, Kerzerho) which embody counting in miniature, as if to record it, and it has been observed that cromlechs (or large stone kerb monuments) were built at the ends of the long stone rows of Carnac and Erdeven. Sometimes, a cromlech initiated a longer count,with or without stone rows, that ended with a rectangle (Crucuno). The focus on counting time naturally reveals a vernacular quite unique to this region and epoch. We have seen that the Kerzerho alignments were at least a 4 by 3 rectangle which recorded the 235 lunar months in feet along its diagonal to midsummer solstice sunset. After that rectangle there follows a massive Alignment of stone rows to the east,ending after 2.3 km having gradually changed their bearing to 15 degrees south of east. Just above the alignments lies a hillock with multiple dolmens and a north-south stone row (Mané Braz) whilst below its eastern extremity lies the tumulus and dolmen,”T-shaped passage-grave” (Burl. Megalithic Brittany. 196) called Mané Groh.