“We have long known, thanks to Ernest McClain, that the ancients were obsessed with harmonic numbers and that the Bible encodes these from beginning to end. Now new evidence appears, as these numbers correlate with the planetary periods, and their discovery is pushed far back into the prehistoric era. Richard Heath’s work, based not on speculation but on objective data, challenges all accepted notions of cultural evolution and religious origins.”

–JOSCELYN GODWIN, author of Harmonies of Heaven and Earth and Atlantis and the Cycles of Time

As modern humans first walked the Earth roughly 70,000 years ago, the moon’s orbit came into harmonic resonance with the outer planets of Jupiter, Saturn, and Uranus. The common denominators underlying these harmonic relationships are the earliest prime numbers of the Fibonacci series–two, three, and five–the same numbers that interact to give us the harmonic relationships of music.

The work of the late Ernest McClain [1918-2014] was based upon a technique in which ever higher numbers appear to have been studied in antiquity as to the harmonic field of intervals possible within that integer limit. Such a single number reference can be mentioned en passant within texts like The Bible, Homer’s Illiad or the Sumerian story of Gilgamesh and be ignored today as a frivolous use of large numbers, such as great ages of the gods, the number of ships, or tithe goods and so on, when in fact the numbers were referring to a musicological field relevant to the narrative and its elements.

McClain’s work was very briefly introduced in Precessional Time and the Evolution of Consciousness(2011) in its Chapter 3 on the Age of Aries, when such calculational musicology/theology seem to have replaced the megalithic activities in Age of Taurus. After then collaborating with Ernest for a few years, after his death I attempted to make an accessible book on Ernest’ work in my 2018 book Harmonic Origins of the World.

Ernest had a fine sensibility for the Ancient Near East (or A.N.E.), its number science and symbolisms. Through many email exchanges I wanted to be able to generate his tonal diagrams for myself; to both learn more and answer specific questions. I was able to make a web page so that people like myself could more easily enter his world of tonal yantras (that look like mountains) and their corresponding tonal mandalas (the octave circle); without having to learn the method of “limiting the products of powers of three and five and then doubling all numbers to the limiting number”. This Harmonic Explorer app enables ridiculous freedom over the previously required manual calculations, including walking through limiting number space with prime factor buttons, multiplying/dividing by 2, 3, 5, 10 or 12. It can also be very useful for screen grabbing when discussing a given tuning system as in:

It appears the ancient world had unreasonably accurate knowledge of the size of the earth and its shape: Analysis of ancient monuments reveals an exact estimate for the circumference of the mean Earth, a spherical version of the Earth, un-deformed by it spinning once a day. Half of this circumference, the north-south meridian, was known to be about 12960 miles (5000 geographical Greek feet of 1.01376 ft), a number which (in those Greek units) is then 60^5 = 777,600,000 geographical Greek inches. One has to ask, how such numbers are to be found very accurately within a planet formed accidentally during the early solar system?

John Michell’s booklet on Jerusalem found (in its Addendum) that the walls of the Temple Mount, extended for the rebuilding of the Temple of Solomon, was a scaled down model of the mean-earth Meridian in its length. These walls are still 5068.8 feet long, which is the length of a Greek geographical mile. This unit of measure divides the meridian into 12960 parts, each a geographical Greek mile.

Here I start by publishing an important diagram that shows how the earliest known references to musical tuning (early 4th millennium BC) on clay cuneiform tablets, using “regular numbers” whose factors are products of only the numbers 2, 3 and 5, led to the cosmological vision of their gods, the primary god, Anu, being a balanced mix of all three numbers as 60 but also called ONE. This is the source of their Sexagesimal or base-60, still employed in measuring angles and time called minutes and seconds. All comes from ONE.