Iceland’s Model of the Earth’s Meridian

Einar Palsson [1, at end] saw that the myths of foundation for Iceland’s settlement in 930 had Pythagorean roots. Since then Petur Halldorsson has identified patterns that could not have been influenced by Pythagoras (c. 600 BC) and Pythagoras was known to have adapted the existing number sciences found (according to his myth) from Egypt to China.

Such patterns, called Cosmic Images by Halldorsson [3], seek to establish a geometric connection between places on the landscape and on the horizon, here in the south-western region near Reykjavik, the only Icelandic city. The spirit of a region or island was integrated through organising space in this way, according to centers (Things) of circles and their radius and diameter as numbers of paces, circles punctuated with places and alignments to other places, horizon events or cardinal directions. John Michell provided a guide to some of the techniques in his books [2, at end].

Figure 1 The Cosmic Image east of Reykjavik proposed by Palsson
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Use of Ad-Quadratum at Angkor Wat

The large temple complex of Angkor Wat ( photo: Chris Junker at flickr, CC BY-NC-ND 2.0 )

Ad Quadratum is a convenient and profound technique in which continuous scaling of size can be given to square shapes, either from a centre or periphery. The differences in scale are multiples of the square root
of two [sqrt(2)] between two types of square: cardinal (flat) and diamond (pointed).

The diagonal of a square of unit size is sqrt(2), When a square is nested to just touch a larger square’s opposite sides, one can know the squares differ by sqrt(2)
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John Michell’s Perpetual Choirs

15 April 2017 Views: 10450

In 1972  John Michell inferred an enormous ten-sided form nearly sixty three miles across, in which important historical and neolithic sites had been intended as ten vertices around an ancient centre, signified by a Whiteleafed Oak.

Figure 1 The Decagon of Perpetual Choirs, anchored upon Stonehenge, the Solstice sunrise in summer and set in winter

Michell had previously [1991] developed the idea of the enchantment of the land as an actual practice; land areas were enchanted by using a geometrical pattern integrated with myths and ritual calendars, enacted within that framework. This  was long before, around 930, such a pattern was being established of thing-places in Iceland. The idea of thing places is still find-able in English names such as Goring, the centre northeast of Stonehenge, where the summer solstice sun arose.

“Perpetual choirs were a Celtic institution, from pagan into early Christian times. In Iola Morganwg’s Triads of Britain, translated from Welsh, it is stated that ‘in each of these three choirs there were 24,000 saints; that is,
there were a hundred for every hour of the day and the night in rotation, perpetuating the praise and service of God without rest or intermission.’ ”  – The Measure of Albion

“Three of the choirs were located at Stonehenge, at Glastonbury, and near Llantwit Major in Wales. Others appear to have been at Goring-on- Thames and at Croft Hill in Leicestershire, a traditional site of ritual,  legal, and popular assemblies.” The Dimensions of Paradise

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