This document was prepared by Richard Heath as a letter for Nature magazine and submitted on 14th April 1994 but remained unpublished. For readers of the Matrix of Creation (2nd ed, Inner Traditions Press, 2004) it marks the discovery of a unit of time proposed and named the Chronon, as being 1/10000th of the Moon’s orbit and also the difference between the sidereal and tropical day of the Earth. The paper also documents a discovery made, with Robin Heath, later to be documented in his books: that one can divide up the solar year by its excess over the eclipse year to reveal an 18.618:19.618 ratio between these years, and many other interesting numerical facts not mentioned in this place. The puzzle here is a connection between the rotation of the Earth, the solar year and the precession of the Moon’s orbit which (a) may be explainable by science (b) appears to have puzzled Megalithic astronomers and (c) should puzzle us today.
This paper* concerns itself with a unique fired-clay disk, found by Luigi Pernier in 1908 within the Minoan “palace” of Phaistos (aka Faistos), on the Greek island of Crete. Called the Phaistos Disk, its purpose or meaning has been interpreted many times, largely seen as either (a) a double-sided text in the repeated form of a spiral and outer circle written using an unknown pictographic language stamped in the clay or (b) as an astronomical device, record or handy reference. We provide a calendric interpretation based on the simplest lunar calendars known to apply in Minoan times, finding the Disk to be (a) an elegant solution to predicting repeated eclipses within the Saros period and (b) an observation that the Metonic is just one lunar year longer, and true to the context of the Minoan culture of that period.
*First Published on 26 May 2017
web page version
Ancient musical knowledge came to Just tuning long before Greek music, in Babylonia. It now seems likely that two sources of musical information, were involved in an early tradition of musical tuning by number: firstly, the early number field is the original template upon which musical harmony is based; and secondly, the prehistoric geocentric astronomy which preceded the ancient world had been comparing counted astronomical time-periods, and had discovered the rational tone and semitone intervals between the lunar year, Jupiter and Saturn . Ernest G. McClain identified a harmonic parallelism within ancient texts in which the anomalous numbers found within mythic narratives inferred a unique array (a matrix) of whole numbers, shaped like a mountain, which could explain plot elements, events and characters of the narrative, as intended parallels to such harmonic mountains. McClain’s matrices allowed the author to locate the harmonic intervals found between planetary synods as a reason why religious texts should have employed harmonic numbers, these relating to planetary time as gods alongside ancient systems of tuning. Based on a talk delivered at ICONEA2013, 5th December at Senate House, University College London.
Published by Inner Traditions
ANCIENT MYSTERIES / NEW SCIENCE
“Richard Heath sweeps away the mechanistic and relativistic paradigm to reveal an earth-centered, celestial system founded upon the beauty of musical harmony and geometric symmetry.”
–Robert Lawlor, author of Sacred Geometry and Voices of the First Day
“Richard Heath effectively rewrites the book on the mysterious but accomplished megalithic cultures preceding ancient Egypt, Sumer, China, and India.”
–John Anthony West, author of Serpent in the Sky: The High Wisdom of Ancient Egypt
“. . . well-expressed, with a deep insight into the ancient science.”
–John Michell, author of The Dimensions of Paradise
The ubiquitous use of certain sacred numbers and ratios can be found throughout history, influencing everything from art and architecture to the development of religion and secret societies. In Sacred Number and the Origins of Civilization, Richard Heath reveals the origins, widespread influences, and deeper meaning of these synchronous numerical occurrences and how they were left within our planetary environment during the creation of the earth, the moon, and our solar system.
Exploring astronomy, harmony, geomancy, sacred centers, and myth, Heath reveals the secret use of sacred number knowledge in the building of Gothic cathedrals and the important influence of sacred numbers in the founding of modern Western culture. He explains how the Templar design of Washington, D.C., represents the New Jerusalem, and he identifies the role secret societies play as a repository for sacred numerical information. Those who attempt to decode its meaning without understanding the planetary origins of this knowledge are left with contradictory, cryptic, and often deceptive information. By examining prehistoric and monumental cultures through the Dark Ages and later recorded history, Sacred Number and the Origins of Civilization provides a key to understanding the true role and meaning of number.
Richard Heath is a Web developer with degrees in electrical and computer engineering. The author of The Matrix of Creation: Sacred Geometry in the Realm of the Planets, he lives in Scotland.
“Heath has done a superb job of collating his own work on the subject of megaliths with the objective views of many other researchers in the field. I therefore do not merely recommend reading this book but can state unequivocally it is a must read.”
–John Neal, British metrologist and researcher and author of Measuring the Megaliths and The Structure of Metrology
“In Sacred Number and the Lords of Time we have an important explanation of how megalithic science was developed. This book is a long-overdue wakeup call to a modern culture that has abandoned this fully developed and astonishingly rich prehistoric model of the physical world. The truth is now out.”
–Robin Heath, coauthor of The Lost Science of Measuring the Earth and author of Sun, Moon and Earth
“We have long known, thanks to Ernest McClain, that the ancients were obsessed with harmonic numbers and that the Bible encodes these from beginning to end. Now new evidence appears, as these numbers correlate with the planetary periods, and their discovery is pushed far back into the prehistoric era. Richard Heath’s work, based not on speculation but on objective data, challenges all accepted notions of cultural evolution and religious origins.”
–JOSCELYN GODWIN, author of Harmonies of Heaven and Earth and Atlantis and the Cycles of Time
As modern humans first walked the Earth roughly 70,000 years ago, the moon’s orbit came into harmonic resonance with the outer planets of Jupiter, Saturn, and Uranus. The common denominators underlying these harmonic relationships are the earliest prime numbers of the Fibonacci series–two, three, and five–the same numbers that interact to give us the harmonic relationships of music.Continue reading “The Harmonic Origins of the World”