With the advent of many orbital missions, the Moon is threatened with orbital and other changes due to space travel.
The modern theory of relativity has joined the worlds of space and time, now called spacetime. As beings we live in space while moving through time, and both these are assumed to be neutral dimensions having mere extension. However, spacetime is distorted by the massive gravitational objects found in solar systems, these exerting an attractive force on all objects including ourselves. As humans, we are therefore locked onto the surface of the earth by gravity, viewing a solar system of eight orbiting planets seen in the sky from the surface of the third planet from the sun. The earth has an unusually large moon which has fallen into resonance with the planets, a resonance then belonging to time.
The Moon was formed 4 to 5 billion years ago and this affected the Earth’s geology, stabilized its tilt (giving stability to the seasons) and providing tidal reaches on coasts. But apart from such direct physical changes to the earth, the moon has now developed resonances with the solar system, especially its outer giant planets, and this has given time on earth a highly specific resonant environment, based upon the lunar month and year of 12 lunar months. This resonant network appears to be numerical when counting days, months and years, in between significant events in the sky.
The structure of time is numerical because of these resonances between the moon, the sun and the planets. This resonance came to be known by previous civilizations and was thought meaningful in explaining how the world was created. Time was deemed spiritual because its organisation allowed human beings to understand the purpose of life and of the earth through the structure of time. In particular, the moon was a key to unlocking the time world as a link to a higher or spiritual world, a literal sky heaven organised according to numbers.
This extract from The Harmonic Origins of the World (p58-62) shows how what are taken to be arbitrary numbers, in the narrative of the Patriarchs, expressed knowledge of planetary resonances.
above: Diagram of the Bible code of “holy mountains”: Products of the powers of five upwards and of the powers of three across, each mountain within a limiting number if note D is {60, 120, 45, 180, 720} .
Female archetype Eve, “mother of all living,” becomes Abram’s wife Sarai. Childless, Abram was encouraged (by Sarai) to have first son Ishmael by concubine Hagar, but the Lord God (the mountain god whose number sums to 345) renames Sarai as Sarah and Abram as Abraham. At a miraculous 90 years of age she gives birth to Isaac (“he laughs”), then reportedly dies at 180 years old. It is harmonically relevant that (a) the giving of heh = 5 to both Sarah and Abraham elevates them from their former selves onto the second row, “stepping up” like the god Ea in Sumeria, and that (b) Adam’s number 45 has now been doubled to 90 and can form an octaval womb in which Isaac can be born, his life to then end at the doubling of Sarah’s 90 years to 180 years.
In chapter 1, Isaac’s limit of 180 was shown useful, numerically embracing the lunar year and the Jupiter and Saturn synods as 120, 135, and 128, respectively, in units one-tenth of a lunar month. It is also interesting that it is Abram who first follows the god El Shaddai (= 345), while the gematria of ABRAM sums to 35 = 243 (three to the fifth power), a harmonic root leading to the later revelation (to Moses) of El Shaddai as YHWH, by five powers of prime 5 that then match Abram’s five powers of prime 3, in fact YHWH = 10.5.6.5 = 105 x 65 = 777, 600,000 as Moses (777) leading the children of Israel (600,000) out of enslavement.
It is Isaac’s grandson Joseph who came to express the lowest patriarchal limit of 125 required to express the lower heavenly patrix1 (patriarchal matrix of odd prime products) of the synods of Saturn (1), the moon (15), Adam (45), Uranus (125),2 and Jupiter (135) then conflated with his twelve great grandsons. This implies that the core of the story of the patriarchs was informed by the need to preserve astro-harmonic knowledge.
nomenclature of Pete Dello.
Third outer planet, Uranus, only appears properly on the mountain for 1,440 where the planet becomes 1,000 matrix units.
above: The human essence class related to four other classes in J.G. Bennett’s Gurdjieff: Making a New World. Appendix II. page 290. This systematics presents the human essence class which eats the germinal essence of Life, but is “eaten” by cosmic individuality, the purpose of the universe. The range of human potential is from living like an animal to living like an angel or demiurge, then helping the cosmic process.
The human essence class is a new type of participation within the universe where the creation can form its own creative Will, in harmony with the will that creates the universe. The higher intelligences have a different relationship to the creation than human intelligence. It is based upon this Universal Will (to create the universe) which has manifested a world we can only experience from outside of it. And the creative tip of creation* is the universal life principle that led to the human world where it is possible to participate in the intelligence behind the world, through a transformation into an Individuality, creative according their own pattern while harmonious with the universal will.
*creative tip: The evolving part of organic life is humanity. Humanity also has its evolving part but we will speak of this later; in the meantime we will take humanity as a whole. If humanity does not evolve it means that the evolution of organic life will stop and this in its turn will cause the growth of the ray of creation to stop. At the same time if humanity ceases to evolve it becomes useless from the point of view of the aims for which it was created and as such it may be destroyed. In this way the cessation of evolution may mean the destruction of humanity.
In the previous post, the difference in height of the two towers was seen to have an exoteric and an esoteric meaning. Exoterically, the taller tower is sometimes called the sun tower, probably because the globe at its top (below its cross) is about 365 feet-as-days (hence representing the sun and its year). From this fact, the lower tower was considered lunar , since the lunar year is “not as long” and so less high. However, one must go to the top of the cross on the lower tower to achieve the height of 354.367 feet-as-days (hence representing the moon and its year).
This article presents a deeper meaning, that the difference in the full heights of the two towers represents the musical intervals of the synods of Saturn and Jupiter, relative to the lunar year: cunningly encoded within the full height of the solar tower as the Saturn synod of 378 feet-as-days, which is 16/15 of the lunar year. To have made the taller tower higher, to achieve the Jupiter synod, was impractical so that, instead, Jupiter was symbolized by the lunar year of 12 lunar months while Saturn was 12 “months” of 28 days, the 336-foot high globe of the moon tower, as shown below.
The two towers have a deeper meaning regarding the two gas planets Jupiter and Saturn, representing their synods to the lunar year. These musical intervals of 9/8 (tone = Jupiter) and 16/15 (semitone = Saturn), are different by 132/128, the ratio of the cross relative to the lunar tower.
To achieve this, the lunar tower had to be built shorter by 135/128 so that the top of its cross could ride 354.367 feet-as-days (of the lunar year), from the base, and the cross could then represent the ratio, 135/128 in height, between the two intervals the synods make with the lunar year.
The globe is at 336 feet-as-days, which is 12 times 28 days, a month belonging to the Saturnian year of the Goddess culture recorded in Greek Myth, whilst we know the Cathedral was a major shrine to the Goddess and Child found in the Crypt beneath this rebuilt upper form of the Cathedral. In Hesiod’s cosmogony, from the Archaic period, Saturn was the previous ruler over the sky, a culture which kept patriarchal cultural norms at bay*. Zeus-Jupiter was suppressed by the Goddess culture’s view of time and its year of 364 days, of exactly 52 (7-day) weeks.
That the archaic month of 28 days, times 135/128, is accurately the lunar month of 29.53 days, suggests a combined influence of the outer planets on the Moon’s synodic period with the Sun of 29.53 days.
Chartres, in north-west France, is a very special version of the Gothic transcept cathedral design. Having burnt down more than once, due to wooden ceilings, its reconstruction over many building seasons and different masonic teams, as funds permitted, would have needed strong organizing ideas to inform the work (as per Master Masons of Chartres by John James).
As shown below, Chartres main towers are unequal in height and the “western” facade itself does not align to east-west, as normal Christian churches do. The left tower is also higher than the right tower and, it has been said, the left represents the Sun and the right the Moon. The height of the left tower, to its globe below its cross, is indeed the solar year of 365 days in feet. But the height of the shorter right tower, to its own globe, is not the 354.367 days of the lunar year (of 12 months); rather, it is the top of its cross, sporting a crescent moon suggesting it is a moon tower, that is 354 and a third feet high.
The cosmic time coding of the two towers as solar year->lunar year between the globe’s height (on left in red) and the top of the cross (on right in blue). But the left tower also indicates the Saturn synod of 378 days to the top of its cross. The for-square rectangle, geometrically relating the solar (diagonal) and lunar years, is shown.
That is, the height of the lunar year in feet, from the same starting point as the solar tower’s height as the solar year, the lunar year would be to the top of the lunar cross, where the crescent is attached, and not to its globe. There is then a reasonable connection between the solar and lunar years and the two towers. However, it is also interesting to see the number of days, as feet, of the left tower to its own cross. It is exactly 378 feet, the synodic period of Saturn in days. Readers of my books and this site will remember that the ratio between the lunar year and Saturn synod is exactly 16/15: a musical semitone within the ancient tuning system called Just intonation.
This arrangement suggests Chartres was built to be a time-factored monument, which may be why the cathedral was aligned to midsummer sunrise (which was a megalithic norm) rather than being aligned east-west. Built on top of a solitary promontory, horizon events would have been clear across the flat fertile plains.
The re-discovery of the ancient planetary matrix, seen through three my three books: Matrix of Creation, Harmonic Origins of the World and Sacred Geometry: Language of the Angels.
Harmonic Origins of the World inserted the astronomical observations of my previous books into an ancient harmonic matrix, alluded to using the sacred numbers found in many religious stories and the works of Plato, who might have been the savior of what Pythagoras had garnered from ancient mystery centers circa. 600 BC. According to the late Ernest G. McClain*, Plato’s harmonic technology had been widely practiced in the Ancient Near East so that, to the initiated, the stories were technical whilst, to the general population, they were entertaining and uplifting stories, set within eternity. Ancient prose narratives and poetic allusions conserved the ancient knowledge. Before the invention of phonetic writing in Classical Greece, spoken (oral) stories were performed in public venues. Archaic stories such as those attributed to Homer and Hesiod, gave rise to the Greek theatres and stepped agoras of towns. Special people called rhapsodes animated epic stories of all sorts and some have survived through their being written down. At the same time, alongside this transition to genuine literacy, new types of sacred buildings and spaces emerged, these also carrying the sacred numbers and measures of the megalithic to Classical Greece, Rome, Byzantium and elsewhere, including India and China.
* American musicologist and writer, in the 1970s, of The Pythagorean Plato and The Myth of Invariance. website
Work towards a full harmonic matrix for the planets
In my first book (Matrix of Creation,) I had not yet assimilated McClain’s books, but had identified the musical intervals between the lunar year and the geocentric periodicities of the outer planets. To understand what was behind the multiple numerical relationships within the geocentric world, I started to draw out networks of those periods (matrix diagrams) looking at all the relationships (or interval ratios) between them. This revealed common denominators and multiples which linked the time periods through small whole numbers. For example, the 9/8 relationship of Jupiter’s synod to the lunar year could be more easily grasped in a diagram to reveal a structural picture, visualized as a “matrix diagram” (see figure 1).
Figure 1 Matrix Diagram of Jupiter and the Moon. figure 9.5 of Matrix of Creation, p117.
One can see the common unit of 1.5 lunar months, at the base of the diagram, and a symmetrical period at the apex lasting 108 lunar months (9 lunar years referencing the Maya supplemental glyphs). I re-discovered the Lambda diagram of Plato (figure 8.7), and even stumbled upon the higher register (figure 2) of the Mexican Quetzalcoatl (figure 8.1) made up of {Mercury, the eclipse year, Tzolkin, Mars, Venus}, Venus also being called the feathered serpent. These periodicities are of adjacent musical fifths (ratio 3/2), which would eventually be shown as connected to that of the outer planets, using McClain’s harmonic technology, in my 5th book, Harmonic Origins of the World (see figure 3).
Figure 2 Incomplete discovery of the Maya Quetzalcoatl, in fig. 8.1 of Matrix of Creation. I had not noticed that 390 days, times 2, is 780 which is the synod of Mars! This is in fact 41.8949 Node Days, which might be significant.
Also called the flying serpent in Pharaonic Egypt, this set of musical fifths, apparently undocumented in the near east, was part of the Mexican mysteries of the Olmec and Maya civilizations (1500 BC to 800 AD). The serpent is flying harmonically, 125/128 above the inner planets – for example, the eclipse season is 125/128 above the lunar year: 354.367 days × 125/128 = 346 days, requiring McClain’s harmonic matrices to integrate these two serpents, in Harmonic Origins of the World (figure 9.3).
Figure 3 The two harmonic serpents of “Heaven” and “Earth”
By my 6th book, Sacred Geometry: Language of the Angels, I had realized that the numerical design surrounding our “living planet” sits, is a secondary creation – created after the solar system, yet it was discovered first, before the heliocentric, exactly because the megalithic observed the planets from the Earth. I therefore propose an alternative timeline for the ancient mysteries. Instead of proposing a progenitor civilization such as Atlantis, as per Plato’s Timaeus: of an island destroyed by vulcanism. https://en.wikipedia.org/wiki/Timaeus_(dialogue)
My working hypothesis is that Atlantis and similar precursor solutions, simply “kick the can down the road” into an as-yet-poorly-charted prehistory for which there is no strong evidence. In contrast, the sky astronomy and earth measures found in use by the megalithic can only be the product of that singular megalithic culture. There is clear evidence of megalithic monuments recording an understanding of the cosmos then found in the ancient mysteries. Megalithic evidence can show the geocentric world view as being their achievement, based upon the numbers they found using geocentric observations, counting lengths of time, using horizon events and the mathematical properties of simple geometries.
Geocentrism was the current world view until it was superceded, by the Copernican heliocentric view. The new solar system, held soon found to be held together by naturals gravitational forces between the large masses, forces discovered by Isaac Newton. The subsequent primacy of heliocentrism, which started 500 years ago, caused humanity to lose contact with the geocentric model of the world, which had the planets in the same order relating the two serpents of outer and inner planets. All references to an older and original form of astronomy, based upon numerical time and forged by the megalithic, was dislocated and obscured by the heliocentric physical science and astronomy of the modern day – which still knows nothing of the geocentrically order that surrounds us.
Figure 4 The Geocentric Model by 1660
The geocentric model entered Greek astronomy and philosophy at an early point; it can be found in pre-Socratic philosophy … In the 4th century BC, two influential Greek philosophers, Plato and his student Aristotle, wrote works based on the geocentric model. According to Plato, the Earth was a sphere, stationary at the center of the universe.
