In "Planetary Resonances with the Moon" I explored the astronomical matrix presented in The Harmonic Origins of the World with a view to reducing the harmonic between outer planets and the lunar year to a single harmonic register of Pythagorean fifths. This became possible when the 32 lunar month period was realized to be exactly 945 days but then that this, by the nature of Ernest McClain’s harmonic mountains (figure 1) must be 5/4 of two Saturn synods.
Using the lowest limit of 18 lunar months, the
commensurability of the lunar year (12) with Saturn (12.8) and Jupiter (13.5)
was “cleared” using tenths of a month, revealing Plato’s World Soul register of
6:8::9:12 but shifted just a fifth to 9:12::13.5:18, perhaps revealing why the
Olmec and later Maya employed an 18 month “supplementary” calendar after some
of their long counts.
By doubling the limit from 18 to three lunar
years (36) the 13.5 is cleared to the 27 lunar months of two Jupiter synods,
the lunar year must be doubled (24) and the 32 lunar month period is naturally
within the register of figure 1 whilst 5/2 Saturn synods (2.5) must also
complete in that period of 32 lunar months.
Only two type-D stone circles (see figure 3) are
known to exist, called Roughtor (in Cornwall) and Seascale (in Cumbria). Seascale
is assessed below, for the potential this type of flattened circle had to
provide megalithic astronomers with a calendrical observatory. Seascale could also
have modelled the harmonic ratios of the visible outer planets relative to the
lunar year. Flattened to the north, Seascale now faces Sellafield nuclear
reprocessing plant (figure 1).
Stone Age astronomical monuments went through a
series of evolutionary phases: in Britain c. 3000 BC, stone circles became
widespread until the Late Bronze Age c. 1500 BC. These stone circles manifest
aspects of Late Stone Age art (10,000 – 4500 BC) seen in some of its geometrical
and symbolic forms, in particular as calendrical day tallies scored on bones.
In pre-literate societies, visual art takes on an objective technical function,
especially when focussed upon time and the cyclic phenomena observed within
time. The precedent for Britain’s stone circle culture is that of Brittany,
around Carnac in the south, from where Megalithic Ireland, England and Wales probably
got their own megalithic culture.
Readers of my article "Megalithic application of numeric time differences" will be familiar with the finding that in 32 lunar months there are almost exactly 945 days, leading to the incredibly accurate approximation (one part in 45000!) for the lunar month of 945/32 = 29.53125 days.
In the previous article on Seascale I noticed that 36 lunar months (three solar years) divided by 32 lunar months is the Pythagorean tone of 9/8. This led me to important thoughts regarding the tuning matrix of the Moon within the periods of the three outer planets, since the synod of Jupiter divided by the lunar year of 12 lunar months is the same tone, the tone that on “holy mountains” of Ernest G. McClain’s ancient tuning theory. Such tones are only found between two tonal numbers separated by two perfect fifths of 3/2, since 3/2 x 3/2 = 2.25 which, normalised to the octave of 1 to 2, is 1.125 or 9/8.