Iceland’s Model of the Earth’s Meridian

Einar Palsson [1, at end] saw that the myths of foundation for Iceland’s settlement in 930 had Pythagorean roots. Since then Petur Halldorsson has identified patterns that could not have been influenced by Pythagoras (c. 600 BC) and Pythagoras was known to have adapted the existing number sciences found (according to his myth) from Egypt to China.

Such patterns, called Cosmic Images by Halldorsson [3], seek to establish a geometric connection between places on the landscape and on the horizon, here in the south-western region near Reykjavik, the only Icelandic city. The spirit of a region or island was integrated through organising space in this way, according to centers (Things) of circles and their radius and diameter as numbers of paces, circles punctuated with places and alignments to other places, horizon events or cardinal directions. John Michell provided a guide to some of the techniques in his books [2, at end].

Figure 1 The Cosmic Image east of Reykjavik proposed by Palsson
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Precessional Time and the Evolution of Consciousness

My third book (Inner Traditions, 2011) was recently reviewed by Paul Young in New Dawn magazine March-April 2019.

It is said that we are transiting from the Age of Pisces to the Age of Aquarius in a backward precession through the 12 zodiacal signs. Examining the numbers that define these Ages is one of the core themes of this book.  The basic premise is that stories – some of them handed down orally since Neolithic times – enable us to identify the inner spiritual aspects within our material world and participate in the evolution of human consciousness foretold by ancient myths. The author is greatly influenced by G.I. Gurdjieff and his Law of Seven, albeit with revisions of his own.

Readers such as myself, for whom mathematics is not their strong suit, need not be daunted by the many sets of figures presented in this book. They are important as supporting evidence for the theories presented, and their comprehension is made easier by the use of diagrams. Moreover, the fractions and ratios are often related to musical octaves and the Do-Re-Mi music-reading system.

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Harmonic Genesis of the Sumerians

Here I start by publishing an important diagram that shows how the earliest known references to musical tuning (early 4th millennium BC) on clay cuneiform tablets, using “regular numbers” whose factors are products of only the numbers 2, 3 and 5, led to the cosmological vision of their gods, the primary god, Anu, being a balanced mix of all three numbers as 60 but also called ONE. This is the source of their Sexagesimal  or base-60, still employed in measuring angles and time called minutes and seconds. All comes from ONE.

The emergence of 2, 3, 5 from ONE then combining as ANU and leading to the differentiation of the World along various paths. The creation proceeds through three prime number dimensions, Ea (as in Earth) through 2, Enki through 3 , Enlil through 5. Anu remains the fountainhead associated with all three and with the Zodiac, which emerged in later Babylonian as a seasonally relevant calendar.
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