Above: Altaic shaman’s drum depicting the cosmos
The general ordering of the cosmos throughout history was phenomenological, following the very apparent division between the sky and the earth, with the living principle between called a “middle earth”. A summation of its symbolism was placed within Dante’s trilogy The Divine Comedy; of an inferno, purgatory and paradise which were the three worlds of the geocentric experience. But how does it come about that the phenomenological was translated into ancient literature, buildings or, as Gurdjieff names these, legominisms in the literal sense of being made of meaning-making and the naming of things – a power given to Adam but not the angels.
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