from Book 5: Harmonic Origins of the World

Intelligent Star Systems

The harmony of the spheres can only be found in our world of time, where it is a strong and compelling phenomenon. Such a harmony was no prescientific fantasy. Pythagoras, who coined the term, probably did so based on the geocentric time world, a view lost to history apart from cryptic references that can no longer be interpreted.

In our age of system science, musical harmony is not thought relevant to the design of dynamic systems such as the planets, yet they appear adapted to just intonation seen from the exclusive perspective of our planet. Why should our planet have a harmonious view of time, and what difference does time’s harmoniousness make to life on Earth? Is there some other purpose to this harmony or none at all? To answer such questions one has to recognize just intonation as being a holistic system that demands human insight into the nature of whole phenomena (a so-called gestalt). Such gestalts flow from the need to see higher-level relationships rather than the raw complexity of their parts. All higher structures of meaning subsume lower levels of meaning.  For example, microclimates are a structuring of meaning higher than  trees, water, weather, and topography, usefully integrating these parts within a newly perceived whole. Such insights reveal a higher idea that indicates new potentials within a system. The new level of conceptual order has not changed in the phenomenon but how we relate to it. This profound faculty is the basis of what we call understanding rather than knowing, and it enlarges our “world.” The world is already structured, and a sensory insight re-creates that structure as a simplifying aspect, already present, to expand the intelligibility of the sensory world and with it, our present moment. Insight and the world’s creation were considered similar acts within ancient cosmologies, in that an insight about the world resembles the structure of the world as it would be conceived by any god in the act of creating it. Such a vision involves a special effort but provides a creative view of the world, in which simplicity and relatedness replace functional complexity with a new appreciation of the sensory world. The celestial behavior in Earth’s skies is a prime example of such an action: the rotation of Earth, its orbit around the sun, the moon’s orbit, and its illumination by the sun complicate the observed orbital periods of the other planets and yet, that added complexity has produced harmonic simplicity between synodic periods!

Chapter 1 showed how Late Stone Age astronomers used geometrical counts of synodic periods to discover this harmony of the spheres, which modern astronomers have not seen because scientific calculation methods deal instead with planetary dynamics modeled by equations. Simplicity has somehow adapted our solar system without breaking physical laws. At the level of gravitational dynamics, many complexities were required to achieve just intonation seen only from Earth, especially the lengthening of the lunar month as an intermediary to the planetary synods seen from Earth. Any demiurgic preference for harmony (seen from Earth) resembles the human gestalt that revealed the harmony of the spheres to human sensory intelligence in the Late Stone Age, and it must be noted, humanity has become demiurgic since the Stone Age, creating man-made worlds.

Demiurgic intelligences are probably part of each star system and, if our star has a demiurgic intelligence, this action seems to have used the moon to establish a justly intoned time world for the third planet. It adapted the unchanging orbital pitches of an n-body planetary system to present harmonic synodic systems that planetary orbital periods alone could never express. Our geocentric system is harmonically founded between 1, the zeroth power of 2 (the Saturn synod) and the fifth power of 60 (YHWH, as 365-day year), which is the smallest numerical resolution to contain just intonation of both inner and outer planets, as in the implied holy mountains of our ancient texts.

Harmonic Origins of the World
Contents (272 pages, 100 b&w illustrations)
Preface
Introduction: The Significance of Planetary Harmony (5)
PART 1: RECOVERING LOST KNOWLEDGE OF THE WORLD SOUL
1 Climbing the Harmonic Mountain (20)
2 Heroic Gods of the Tritone (19)
3 YHWH Rejects the Gods (15)
4 Plato’s Dilemma (22)
PART 2: A COSMICALLY CREATIVE HARMONY
5 The Quest for Apollo’s Lyre (25)
6 Life on the Mountain (23)
PART 3 THE WAR IN HEAVEN
7 Gilgamesh Kills the Stone Men (16)
8 Quetzalcoatl’s Brave New World (31)
9 YHWH’s Matrix of Creation (19)
10 The Abrahamic Incarnation (15)
Postscript: Intelligent Star Systems
APPENDIX 1: Astronomical Periods and Their Matrix Equivalents
APPENDIX 2: Ancient Use of Tone Circles (11)
Notes
Bibliography
Index

A Moon that created Life?

Extracted from Precessional Time and the Evolution of Consciousness, Inner Traditions, 2011. There is a long history of speculation concerning the origins of our Moon which is still not fully settled but an early impact seems most likely and a key proponent has been William K Hartmann of the Planetary Institute (also space artist, see below). The Moon has played so many important functions for the development of both the Earth and its Biosphere, that it is worth noting some of these when considering the Moon’s relationships to the synodic periods of the outer planets through its lunar year.

Over 4.5 billion years ago the inner solar system was a jumble of would be planets and planetoids. It is thought that Earth shared its orbital zone with at least one other planet about the size of Mars, similarly composed of a heavy metal core and outer mantle. Both would have been mopping up smaller bodies but eventually the two collided with each other.


Figure 1 The Collision of Earth and Thea (©William K. Hartmann)
Continue reading “A Moon that created Life?”

Gurdjieff’s Diagram of Everything Living

first created: 28 October 2017

Gurdjieff first presented his ideas to groups in pre-revolutionary Russia. Amongst his carefully chosen students it was the habit to reconstruct talks and diagrams as much as possible, an endeavour that gave us a textbook of Gurdjieff’s ideas called In Search of the Miraculous (P.D. Ouspensky, 1950). This early form of the teaching was radically revised and extended by Gurdjieff, now as an author, during the 1920s, producing All and Everything whose part one was Beelzebub’sTales to his Grandson (G.I. Gurdjieff, 1950). Prior to drawing this diagram just after February 1917, Gurdjieff had been presenting ideas about transformation of energies, human and cosmic, using the musical theory surrounding the octave of eight notes. The Diagram of Everything Living was “still another system of classification… in an altogether different ratio of octaves… [that] leads us beyond the limits of what we call ‘living beings’ both higher [and lower] than living beings. It deals not with individuals but with classes in a very wide sense.”


Figure 1 The Diagram of Everything Living
Continue reading “Gurdjieff’s Diagram of Everything Living”

Cosmic Origins of Religion and Death

written October 2014 and published in DuVersity Magazine

In order to think about the cosmic world one has to recognize that it is more than the world of life found on the earth and the living world, or biosphere, is most probably a result of how the cosmic world organised evolution on the earth.

Threefold Manifestation: The light triangle of the Trinity represents God, who remains ‘beyond all things’, entering the black hole of matter (hyle). As a result, three worlds arise: the angelic (empyrean), stellar (ethereal), and elemental. From Robert Fludd by Joscelyn Godwin, Thames & Hudson (Shambhala: Boulder, 1979, page 52)
Continue reading “Cosmic Origins of Religion and Death”

Search for Intelligence within the Biosphere

Published in DuVersity Online Magazine “Views” May 2014

John G. Bennett received a very unusual teaching from G.I. Gurdjieff, his early teacher, and from an early student of these ideas, P.D. Ouspensky, who acted as mentor during Bennett’s early development of the ideas then seen in his Dramatic Universe and other books.

The classic form of Gurdjieff’s ideas (c.1916-8) were fortunately reconstructed from student notes from lectures and eventually piblished in Ouspensky’s 1950 book In Search of the Miraculous. What emerged was a vision of everything that existed and how this Whole structure we call the Universe was layered into systems of differing size and how each of these scales of structure had its own type of operation including an intelligence which enables it to do things within its own world and organise its environment.

The commonly held idea of the universe, defined by our scientists, corresponds with structures of distinctive scale, such as galaxies, stars, planets, the Earth’s biosphere and planetary moons. In contrast, human kind used to attribute intelligence and being to celestial objects yet today, there is almost no scientific tolerance for large scale structures having an innate intelligence or being.

Yet it is hard not to attribute an intelligence within large cosmic structures when confronted with the fortuitous structure of the universe in producing life, and life with a degree of intelligence such as ourselves. Also, one has to ask: Why do these structures exist if not to create the conditions within which, at least, human beings can live in such a beautiful and benign environment as our biosphere?

Continue reading “Search for Intelligence within the Biosphere”