pdf: Musicological Narrative Structures in Biblical Genesis

This paper attempts to interpret the first two books of the Bible, according to Ernest McClain’s methods. It is contended that the compositions of ancient texts, as Plato insinuated, were both inspired and used for the science of numerical harmonics.

The invariant properties of harmonic numbers, and their evolution through limiting whole numbers, offer a large variety of distinctive scenarios which can be set into compatible narrative forms such as the Seven Days of Creation, the
Garden of Eden, the Flood, the Patriarchal development of the Twelve Tribes and Moses meeting with YHWH.

Further Ratios of the Outer Planets to the Lunar Year

The traditional way to express the Harmony of the Spheres is geometrically, despite the fact that geometrical knowledge of the heliocentric planetary system was not available to Pythagoras who, for the West, first established this whole idea – that the planets were part of a system expressing harmony.

The opening picture is from Kepler’s Harmonices Mundi :
from a scan made of the Smithsonian’s copy,
made available on Wikipedia as in the public domain.

In my own work, on the type of ancient astronomy based upon time and not space, I find it to be the outer planets in particular which express harmony in their geocentric synods relative to the lunar year. This applies to Jupiter, Saturn and Uranus but Neptune expresses a rational fraction of 28/27 involving prime numbers {2 3 7} whilst the other three planets only involve ratios involving primes {2 3 5}. The harmony of the outer planets has been a strong source for the sacred numbers found in ancient texts, as with Jupiter 1080 – considered a lunar number perhaps because the Moon is resonant to Jupiter – who is shown by figure 1 to be geocentrically resonant to the other planets and the Moon.

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