YouTube: Precessional Time and the Evolution of Consciousness

Below is a YouTube presentation associated with this book, made after its publication in 2012. It is part of a series of films made with Anthony Blake over a weekend, in preparation for a seminar in the United States later that year – called The Politics of Number.

I was employing an octave model for the precessional cycle of about 25,920 years which appears to have been understood in prehistory and seeped into the mythic record in many interesting ways as presented in the ground-breaking book, Hamlet’s Mill. By Classical times, Plato refers to the Great Year and the classic number for this of 25,920 is a canonical number probably assumed due to Pythagorean ideas about the primacy of the factors 2, 3 and 5 found to pre-determine ancient musical tuning theory, the subject of my fifth book: Harmonic Origins of the World.

Precessional Time saw my early attempt to give the early number sciences a developmental history up to the point where they emerged in the ancient world having measured the size of the Earth. This was the story of the fourth book, Sacred Number and the Lords of Time. The manuscript of the 6th book, Angelic Transmission through Sacred Number, now submitted, turns to the spiritual context for this developmental history, having been necessary for the development of the modern mind.

Raising the Titanic

This is an extension of the mythic story of Aphrodite and Hephaistos which left out of Matrix of Creation. Its matrix of time has not been found wanting and may still be what the myth writers had in mind for what is otherwise a most extraordinary story. The pictures need re-mastering and can only just be read in some cases.

Richard Heath

Equating Saturn with mythological Kronos-Cronos can hide the subtler reality that Saturn and Venus represent as residual elements of an earlier solar system. The genitals of Ouranos can be re-interpreted as follows. He is the “overhanging one” which points directly to the galaxy that passes close the north and south poles. Saturn performs a scooping motion in the sky, every synodic period and passing over the galaxy twice in a 29 year period of 28 synods.

The loops of Saturn are represented by the sickle, His ubiquitous symbolic companion, and the genitals are “thrown into the sea”, opposite the cutting action, to become the Sun as the generative power of the stellar world. The foam that this generates gives birth to Venus Aphrodite “born out of foam”, who expresses a synodic Fibonacci relation of 8/5 (and a sidereal 8/13) with respect to the practical year on Earth. The shell on which She is represented is the original cutting tool.

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A Lecture introducing Sacred Number and the Lords of Time

… given as the John Michell Memorial Lecture for
at Megalithomania 2015 in Glastonbury

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Tetraktys as plan of planetary harmony and the four Elements

Figure 1 The elimination of 5 as a factor in the harmonic mountain for 36 lunar years, resolved using matrix units of one tenth of a month and the limit 360 units.

In a previous post I explored the astronomical matrix presented in The Harmonic Origins of the World with a view to reducing the harmonic between outer planets and the lunar year to a single harmonic register of Pythagorean fifths. This became possible when the 32 lunar month period was realized to be exactly 945 days but then that this, by the nature of Ernest McClain’s harmonic mountains (figure 1) must be 5/4 of two Saturn synods.

Using the lowest limit of 18 lunar months, the commensurability of the lunar year (12) with Saturn (12.8) and Jupiter (13.5) was “cleared” using tenths of a month, revealing Plato’s World Soul register of 6:8::9:12 but shifted just a fifth to 9:12::13.5:18, perhaps revealing why the Olmec and later Maya employed an 18 month “supplementary” calendar after some of their long counts.

By doubling the limit from 18 to three lunar years (36) the 13.5 is cleared to the 27 lunar months of two Jupiter synods, the lunar year must be doubled (24) and the 32 lunar month period is naturally within the register of figure 1 whilst 5/2 Saturn synods (2.5) must also complete in that period of 32 lunar months.

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Number Symbolism at Table des Marchands

Table des Marchands, a dolmen at Lochmariaquer, can explain how the Megalithic came to factorise 945 days as 32 lunar months by looking at the properties of the numbers three, four and five. At that latitude, the solstice angle of the sun on the horizon shone along the 5-side of a 3-4-5 triangle to east and west, seen clearly at the Crucuno Rectangle [post2post id=”237″].

Before numbers were individually notated (as with our 3, 4 and 5 rather than |||, |||| and |||||) and given positional notation (like our decimal seen in 945 and 27), numbers were lengths or marks and, when marks are compared to accurately measured lengths measured out in inches, feet, yards, etc. then each vertical mark would naturally have represented a single unit of length. This has not been appreciated as having been behind marks like the cuneiform for ONE; that it probably meant “one unit of length”.


Figure 1 The end and cap stone inside the dolmen Table des Marchands in which the elementary numbers in columns and rows perhaps inspired its attribution to the accounts of merchants
Locmariaquer (Morbihan, Bretagne, France) : la Table des Marchand, interieur.
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Lunar Counting from Crucuno Dolmen to its Rectangle

A fuller treatment of this article can now be found in
Sacred Geometry: Language of the Angels (2021).

Figure 1 The entrance of Crucuno’s cromlech, which opens to the south-east
[Summer Solstice, 2007]

It is not immediately obvious the Crucuno dolmen (figure 1) faces the Crucuno rectangle about 1100 feet to the east. The role of dolmen appears to be to mark the beginning of a count. At Carnac’s Alignments there are large cromlechs initiating and terminating the stone rows which, more explicitly, appear like counts. The only (surviving) intermediate stone lies 216 feet from the dolmen, within a garden and hard-up to another building, as with the dolmen (see figure 2). This length is interesting since it is twice the longest inner dimension of the Crucuno rectangle, implying that lessons learned in interpreting the rectangle might usefully apply when interpreting the distance at which this outlier was placed from the dolmen. Most obviously, the rectangle is 4 x 27 feet wide and so the outlier is 8 x 27 feet from the dolmen.

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