Tag: Jupiter

Inside Time

There are two things we can count in this world, one is the number of objects on the Earth and the other is the number of time periods between events in the Sky.

photo: The Moon, with Jupiter and Mars, on 11th January 2018. (see end for interpretation)

Objects are counted in an extensive way, from one to an almost infinite number, the count extending with each addition (or multiplication) of a population.

Time periods appear similar but in fact they emanate from measurable recurrences, such as phases of the moon, and these derive from the behaviour of celestial objects as they divide into each other.

For instance, the unit called the day is created by the rotation of the earth relative to the Sun and the lunar month by its orbit around the Earth relative to the Sun, and so on.

Thus, time originally came from the sky. Furthermore, it largely came from the zodiacal band of stars surrounding the Earth within which the planets, Sun and Moon progress eastwards. The Earth’s own orbital motion is superimposed upon those of the other planets and the inner planets (Mercury and Venus) also appear to orbit a Sun that appears to orbit the Earth once a year.

The zodiacal band is naturally divided up into a number of constellations or stars and about three thousand years ago it became popular to follow the Sun throughout the year into 12 constellations whilst the Moon tends to create 27 or 28 stars (nakshatras) where the Moon might sit on a given evening. When the moon is illuminated by the sun, the primordial month has 29 1/2 days and twelve such in less than a year hence perhaps first defining the 12-ness of our months within the year.

Continue reading “Inside Time”

Astronomy 4: The Planetary Matrix

The re-discovery of the ancient planetary matrix, seen through three my three books: Matrix of Creation, Harmonic Origins of the World and Sacred Geometry: Language of the Angels.

Harmonic Origins of the World inserted the astronomical observations of my previous books into an ancient harmonic matrix, alluded to using the sacred numbers found in many religious stories and the works of Plato, who might have been the savior of what Pythagoras had garnered from ancient mystery centers circa. 600 BC. According to the late Ernest G. McClain*, Plato’s harmonic technology had been widely practiced in the Ancient Near East so that, to the initiated, the stories were technical whilst, to the general population, they were entertaining and uplifting stories, set within eternity. Ancient prose narratives and poetic allusions conserved the ancient knowledge. Before the invention of phonetic writing in Classical Greece, spoken (oral) stories were performed in public venues. Archaic stories such as those attributed to Homer and Hesiod, gave rise to the Greek theatres and stepped agoras of towns. Special people called rhapsodes animated epic stories of all sorts and some have survived through their being written down. At the same time, alongside this transition to genuine literacy, new types of sacred buildings and spaces emerged, these also carrying the sacred numbers and measures of the megalithic to Classical Greece, Rome, Byzantium and elsewhere, including India and China.

* American musicologist and writer, in the 1970s, of The Pythagorean Plato and The Myth of Invariance. website

Work towards a full harmonic matrix for the planets

Continue reading “Astronomy 4: The Planetary Matrix”

Gurdjieff’s Diagram of Everything Living

Proposing a designed nature to the Universe.

above : Figure 1 The Diagram of Everything Living post: created: 28 October 2017

Gurdjieff first presented his ideas to groups in pre-revolutionary Russia. Amongst his carefully chosen students it was the habit to reconstruct talks and diagrams as much as possible, an endeavour that gave us a textbook of Gurdjieff’s ideas called In Search of the Miraculous (P.D. Ouspensky, 1950). This early form of the teaching was radically revised and extended by Gurdjieff, now as an author, during the 1920s, producing All and Everything whose part one was Beelzebub’sTales to his Grandson (G.I. Gurdjieff, 1950). Prior to drawing this diagram just after February 1917, Gurdjieff had been presenting ideas about transformation of energies, human and cosmic, using the musical theory surrounding the octave of eight notes. The Diagram of Everything Living was “still another system of classification… in an altogether different ratio of octaves… [that] leads us beyond the limits of what we call ‘living beings’ both higher [and lower] than living beings. It deals not with individuals but with classes in a very wide sense.”

Continue reading “Gurdjieff’s Diagram of Everything Living”

On the Harmonic Origins of the World

Does the solar system function as a musical instrument giving rise to intelligent life, civilization and culture on our planet? This 2018 article in New Dawn introduced readers to the lost science of the megalithic – how our ancestors discovered the special ratios and musical harmony in the sky which gave birth to religion and cosmology. The musical harmonies were the subject of my book released that year, called The Harmonic Origins of the World.

After the ice receded, late Stone Age people developed the farming crucial to the development of cities in the Ancient Near East (ANE). On the Atlantic coast of Europe, they also developed a now-unfamiliar science involving horizon astronomy. Megalithic monuments were the tools they used for this, some still seen in the coastal regions of present day Spain, France, Britain and Ireland. Megalithic astronomy was an exact science and this conflicts with our main myth about our science: that ours is the only true science, founded through many historical prerequisites such as arithmetic and writing in the ancient near east (3000- 1200 BC) and theory-based reasoning in Classical Greece (circa 400-250 BC), to name but two. Unbeknownst to us, the first “historical period” in the near east was seeded by the exact sciences of the megalithic, such as the accurate measurement of counted lengths of time, developed by the prehistoric astronomers. With the megalithic methods came knowledge and discoveries, and one discovery was of the harmonic ratios between the planets and the Moon.

Continue reading “On the Harmonic Origins of the World”

Introduction to my book Harmonic Origins of the World

Over the last seven thousand years, hunter-gathering humans have been transformed into the “modern” norms of citizens (city dwellers) through a series of metamorphoses during which the intellect developed ever-larger descriptions of the world. Past civilizations and even some tribal groups have left wonders in their wake, a result of uncanny skills – mental and physical – which, being hard to repeat today, cannot be considered primitive. Buildings such as Stonehenge and the Great Pyramid of Giza are felt anomalous, because of the mathematics implied by their construction. Our notational mathematics only arose much later and so, a different maths must have preceded ours.

We have also inherited texts from ancient times. Spoken language evolved before there was any writing with which to create texts. Writing developed in three main ways: (1) Pictographic writing evolved into hieroglyphs, like those of Egyptian texts, carved on stone or inked onto papyrus, (2) the Sumerians used cross-hatched lines on clay tablets, to make symbols representing the syllables within speech. Cuneiform allowed the many languages of the ancient Near East to be recorded, since all spoken language is made of syllables, (3) the Phoenicians developed the alphabet, which was perfected in Iron Age Greece through identifying more phonemes, including the vowels. The Greek language enabled individual writers to think new thoughts through writing down their ideas; a new habit that competed with information passed down through the oral tradition. Ironically though, writing down oral stories allowed their survival, as the oral tradition became more-or-less extinct. And surviving oral texts give otherwise missing insights into the intellectual life behind prehistoric monuments.

Continue reading “Introduction to my book Harmonic Origins of the World”

Twelve: determining Time and Space on the Earth

ABOVE: South rose window in Angers Cathedral of Saint Maurice. Stained glass by Andre Robin created after the fire of 1451. At centre, Christ of the Apocalypse, in glory (Revelation 21:5). At bottom, 12 radial windows showing 12 elders, crowned and playing musical instruments, rejoicing, indicating the remade world (the heavenly Jerusalem). At top, circular ends of 12 radial windows showing the 12 signs of the Zodiac, indicating the incarnation of Christ as a man on earth under the stars. Sequence from left to right has last 2 signs before first, i.e. Aquarius/Water-bearer (grey), Pisces/Fish (grey), Aries/Ram, Taurus/Bull (yellow), Gemini/Twins, Cancer/Crab (red), Leo/Lion (yellow), Virgo/Virgin, Libra/Scales, Scorpio/Scorpion, Sagittarius/Archer, Capricorn/He-goat (blue background)
photo: Chiswick Chap for Wikipedia Foundation.

The Moon was the means by which a 12-fold harmony became established on the Earth. This harmonization occurred through the lengthening of the lunar month until 12 months fitted, in a special way, within the solar year. The excess of the solar year over the lunar year of 12 months became 7/19 lunar months, causing seven extra whole months over 19 years. This 19-year (235 month) Metonic period was well-known to the ancient world, and it leads to the remarkably short cycle for the pattern of similar eclipses, we call the Saros period, which repeat every 18 years (235 minus 12 months = 223 months). And eclipses are highly visible because the disk of the Moon has come to be the same angular size as the disk of the Sun, causing total solar eclipses.

Continue reading “Twelve: determining Time and Space on the Earth”