Author: Richard Heath

Harmonic Genesis of the Sumerians

The emergence of 2, 3, 5 from ONE then combining as ANU and leading to the differentiation of the World along various paths. The creation proceeds through three prime number dimensions, Ea (as in Earth) through 2, Enki through 3 , Enlil through 5. Anu remains the fountainhead associated with all three and with the Zodiac, which emerged in later Babylonian as a seasonally relevant calendar.

Here I start by publishing an important diagram that shows how the earliest known references to musical tuning (early 4th millennium BC) on clay cuneiform tablets, using “regular numbers” whose factors are products of only the numbers 2, 3 and 5, led to the cosmological vision of their gods, the primary god, Anu, being a balanced mix of all three numbers as 60 but also called ONE. This is the source of their Sexagesimal  or base-60, still employed in measuring angles and time called minutes and seconds. All comes from ONE.

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God of Harmony Osiris in Egyptian Mice Tomb

Recently an “early Ptolomaic” tomb was discovered similar in themes to the famous Egyptian Books of the Dead (Middle Kingdom). Normally written on papyrus, they feature multiple tableau of Osiris judging the dead and other scenes. Osiris is a long lasting and perhaps supreme god whose cult was present throughout 3000 years of Dynastic history. I have previously interpreted his throne through drawings but, in the new tomb, he is painted on the walls at least twice and the design of his throne looks like layers of “eggs”. Below is one of the press pictures taken from the Guardian, and the headline is Mummified mice found in ‘beautiful, colourful’ Egyptian tomb.

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A Moon that created Life?

Extracted from Precessional Time and the Evolution of Consciousness, Inner Traditions, 2011. There is a long history of speculation concerning the origins of our Moon which is still not fully settled but an early impact seems most likely and a key proponent has been William K Hartmann of the Planetary Institute (also space artist, see below). The Moon has played so many important functions for the development of both the Earth and its Biosphere, that it is worth noting some of these when considering the Moon’s relationships to the synodic periods of the outer planets through its lunar year.

Over 4.5 billion years ago the inner solar system was a jumble of would be planets and planetoids. It is thought that Earth shared its orbital zone with at least one other planet about the size of Mars, similarly composed of a heavy metal core and outer mantle. Both would have been mopping up smaller bodies but eventually the two collided with each other.


Figure 1 The Collision of Earth and Thea (©William K. Hartmann)
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John Michell’s Perpetual Choirs

15 April 2017 Views: 10450

In 1972  John Michell inferred an enormous ten-sided form nearly sixty three miles across, in which important historical and neolithic sites had been intended as ten vertices around an ancient centre, signified by a Whiteleafed Oak.

Figure 1 The Decagon of Perpetual Choirs, anchored upon Stonehenge, the Solstice sunrise in summer and set in winter

Michell had previously [1991 now The Sacred Center, 2009] developed the idea of the enchantment of the land as an actual practice; land areas were enchanted by using a geometrical pattern integrated with myths and ritual calendars, enacted within that framework. This  was long before, around 930, such a pattern was being established of thing-places in Iceland. The idea of thing places is still find-able in English names such as Goring, the centre northeast of Stonehenge, where the summer solstice sun arose.

“Perpetual choirs were a Celtic institution, from pagan into early Christian times. In Iola Morganwg’s Triads of Britain, translated from Welsh, it is stated that ‘in each of these three choirs there were 24,000 saints; that is,
there were a hundred for every hour of the day and the night in rotation, perpetuating the praise and service of God without rest or intermission.’ ”  – The Measure of Albion

“Three of the choirs were located at Stonehenge, at Glastonbury, and near Llantwit Major in Wales. Others appear to have been at Goring-on- Thames and at Croft Hill in Leicestershire, a traditional site of ritual,  legal, and popular assemblies.” The Dimensions of Paradise


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Thornborough Henge as Moon’s Maximum Standstill

The three henges appear to align to the three notable manifestations to the north west of the northerly moon setting at maximum standstill. The distance between northern and southern henge entrances could count 3400 days, each 5/8th of a foot (7.5 inches), enabling a “there and back again” counting of the 6800 days (18.618 solar years/ 19.618 eclipse years) between lunar maximum standstills.

Figure 1 The three henges are of similar size and design, a design most clear in what remains of the central henge. [photo: Iain Petrie]
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Similarities between Le Menec and Erdevan Alignments

In a previous article, the 7,500 foot-long Erdevan alignments were seen to have been a long count of the Saros period of 19 eclipse years versus the distance to Mane Groh dolmen of 19 solar years, this probably conceptualized as an 18-19-6 near-Pythagorean triangle, whose inner angle is the bearing from east of Mané Groh. However, the path directly east caused the actual alignments, counting the Saros, to veer south to miss the hill of Mané Bras.

It has been remarked that the form of the northern alignments of Edeven were similar to those starting at Le Menec’s egg-shaped stone circle 4.25 miles away, at a bearing 45 degrees southeast. Whilst huge gaps have been caused in those of Edeven by agriculture, the iconic Le Menec alignments seem to have fared better than the alignments of Kermario, Kerlescan and Petit Menec which follow it east, these being known as the Carnac Alignments above the town of that name.

One similarity between alignments is the idea of starting and terminating them with ancillary structures such as cromlechs (stone kerb monuments), such as the Le Menec egg and, despite road incursion, a3-4-5 structure similar to Crucuno, aligned to the midsummer sunset by a length 235 feet long. This is the number of lunar months in the 19 year Metonic period and is factored 5 times 47. Another similarity may be seen in Cambray’s 1805 drawing of these Kerzerho alignments, at the head of ten stone rows marching east (figure 1).

Figure 1 Cambrey’s 1805 engraving of Kerzerho’s western extremity of the Erdeven alignments showing the stone rows now lost to agriculture.
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