Category: Planetary Harmony

Celestial time periods forming musical intervals

Geometry 6: the Geometrical AMY

By 2016 it was already obvious that the lunar month (in days) and the PMY, AMY and yard (in inches) had peculiar relationships involving the ratio 32/29, shown above. This can now be explained as a manifestation of day-inch counting and the unusual numerical properties of the solar and lunar year, when seen using day-inch counting.

It is hard to imagine that the English foot arose from any other process than day-inch counting; to resolve the excess of the solar year over the lunar year, in three years – the near-anniversary of sun and moon. This created the Proto Megalithic Yard (PMY) of 32.625 day-inches as the difference.

Figure 1 The three solar year count’s geometrical demonstration of the excess in length of 3 solar years over 3 lunar years as the 32.625 day-inch PMY.

A strange property of N:N+1 right triangles can then transform this PMY into the English foot, when counting over a single lunar and solar year using the PMY to count months.

The metrological explanation

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pdf: Synchronicity of Day and Year with the Lunar Orbit

This document was prepared by Richard Heath as a letter for Nature magazine and submitted on 14th April 1994 but remained unpublished. For readers of the Matrix of Creation (2nd ed, Inner Traditions Press, 2004) it marks the discovery of a unit of time proposed and named the Chronon, as being 1/10000th of the Moon’s orbit and also the difference between the sidereal and tropical day of the Earth. The paper also documents a discovery made, with Robin Heath, later to be documented in his books: that one can divide up the solar year by its excess over the eclipse year to reveal an 18.618:19.618 ratio between these years, and many other interesting numerical facts not mentioned in this place. The puzzle here is a connection between the rotation of the Earth, the solar year and the precession of the Moon’s orbit which (a) may be explainable by science (b) appears to have puzzled Megalithic astronomers and (c) should puzzle us today.

pdf: Counting lunar eclipses using the Phaistos Disk

This paper* concerns itself with a unique fired-clay disk, found by Luigi Pernier in 1908 within the Minoan “palace” of Phaistos (aka Faistos), on the Greek island of Crete. Called the Phaistos Disk, its purpose or meaning has been interpreted many times, largely seen as either (a) a double-sided text in the repeated form of a spiral and outer circle written using an unknown pictographic language stamped in the clay or (b) as an astronomical device, record or handy reference. We provide a calendric interpretation based on the simplest lunar calendars known to apply in Minoan times, finding the Disk to be (a) an elegant solution to predicting repeated eclipses within the Saros period and (b) an observation that the Metonic is just one lunar year longer, and true to the context of the Minoan culture of that period.

*First Published on 26 May 2017
web page version

pdf: Astronomical Musicality within Mythic Narratives

Ancient musical knowledge came to Just tuning long before Greek music, in Babylonia. It now seems likely that two sources of musical information, were involved in an early tradition of musical tuning by number: firstly, the early number field is the original template upon which musical harmony is based; and secondly, the prehistoric geocentric astronomy which preceded the ancient world had been comparing counted astronomical time-periods, and had discovered the rational tone and semitone intervals between the lunar year, Jupiter and Saturn . Ernest G. McClain identified a harmonic parallelism within ancient texts in which the anomalous numbers found within mythic narratives inferred a unique array (a matrix) of whole numbers, shaped like a mountain, which could explain plot elements, events and characters of the narrative, as intended parallels to such harmonic mountains. McClain’s matrices allowed the author to locate the harmonic intervals found between planetary synods as a reason why religious texts should have employed harmonic numbers, these relating to planetary time as gods alongside ancient systems of tuning. Based on a talk delivered at ICONEA2013, 5th December at Senate House, University College London.

Sacred Number and the Lords of Time

Back Cover

ANCIENT MYSTERIES

“Heath has done a superb job of collating his own work on the subject of megaliths with the objective views of many other researchers in the field. I therefore do not merely recommend reading this book but can state unequivocally it is a must read.”
–John Neal, British metrologist and researcher and author of Measuring the Megaliths and The Structure of Metrology

“In Sacred Number and the Lords of Time we have an important explanation of how megalithic science was developed. This book is a long-overdue wakeup call to a modern culture that has abandoned this fully developed and astonishingly rich prehistoric model of the physical world. The truth is now out.”
–Robin Heath, coauthor of The Lost Science of Measuring the Earth and author of Sun, Moon and Earth

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pdf: Musicological Narrative Structures in Biblical Genesis

This paper attempts to interpret the first two books of the Bible, according to Ernest McClain’s methods. It is contended that the compositions of ancient texts, as Plato insinuated, were both inspired and used for the science of numerical harmonics.

The invariant properties of harmonic numbers, and their evolution through limiting whole numbers, offer a large variety of distinctive scenarios which can be set into compatible narrative forms such as the Seven Days of Creation, the
Garden of Eden, the Flood, the Patriarchal development of the Twelve Tribes and Moses meeting with YHWH.