The Harmonic Origins of the World

“We have long known, thanks to Ernest McClain, that the ancients were obsessed with harmonic numbers and that the Bible encodes these from beginning to end. Now new evidence appears, as these numbers correlate with the planetary periods, and their discovery is pushed far back into the prehistoric era. Richard Heath’s work, based not on speculation but on objective data, challenges all accepted notions of cultural evolution and religious origins.”

–JOSCELYN GODWIN, author of Harmonies of Heaven and Earth and Atlantis and the Cycles of Time

As modern humans first walked the Earth roughly 70,000 years ago, the moon’s orbit came into harmonic resonance with the outer planets of Jupiter, Saturn, and Uranus. The common denominators underlying these harmonic relationships are the earliest prime numbers of the Fibonacci series–two, three, and five–the same numbers that interact to give us the harmonic relationships of music.

Exploring the simple mathematical relationships that underlie the cycles of the solar system and the music of Earth, Richard Heath reveals how Neolithic astronomers discovered these ratios using megalithic monuments like Stonehenge and the Carnac stones, discoveries that informed later myths and stories, including the Epic of Gilgamesh, the Resurrection of Osiris, the Rg Veda, the Hebrew Bible, Homer’s epic tales, and the Return of Quetzalcoatl. He explains how this harmonic planetary knowledge formed the basis of the earliest religious systems, in which planets were seen as gods, and shows how they spread through Sumer, Egypt, and India into Babylon, Judea, Mexico, and archaic Greece. He exposes how the secret knowledge encoded within the Bible’s god YHWH was lost as Greek logic and reason steadily weakened mythological beliefs.

Revealing the mysteries of the octave and of our musical scales, Heath shows how the orbits of the outer and inner planets gave a structure to time, which our moon’s orbit could then turn into a harmonic matrix. He explains how planetary time came to function as a finely tuned musical instrument, leading to the rise of intelligent life on our planet. He demonstrates how this harmonic science of numbers can be read in the secret symbolism and sacred geometry of ancient cities such as Teotihuacan and in temples such as the Parthenon, connecting the higher worlds of planetary time and harmonics with the spiritual and physical life on Earth.

Recasting our understanding of the solar system, Heath seeks to reawaken humanity’s understanding of how sacred numbers structure reality, offering an opportunity to recover this lost harmonic doctrine and reclaim our intended role in the outer life of our planet.

Harmonic Origins of the World
Contents (272 pages, 100 b&w illustrations)
Preface
Introduction: The Significance of Planetary Harmony (5)
PART 1: RECOVERING LOST KNOWLEDGE OF THE WORLD SOUL
1 Climbing the Harmonic Mountain (20)
2 Heroic Gods of the Tritone (19)
3 YHWH Rejects the Gods (15)
4 Plato’s Dilemma (22)
PART 2: A COSMICALLY CREATIVE HARMONY
5 The Quest for Apollo’s Lyre (25)
6 Life on the Mountain (23)
PART 3 THE WAR IN HEAVEN
7 Gilgamesh Kills the Stone Men (16)
8 Quetzalcoatl’s Brave New World (31)
9 YHWH’s Matrix of Creation (19)
10 The Abrahamic Incarnation (15)
Postscript: Intelligent Star Systems
APPENDIX 1: Astronomical Periods and Their Matrix Equivalents
APPENDIX 2: Ancient Use of Tone Circles (11)
Notes
Bibliography
Index

RICHARD HEATH is a development engineer with degrees in systems science and computer-aided design. His interest in megalithic astronomy and ancient metrology has resulted in 6 books, including, in January 2021, Sacred Geometry: Language of the Angels. He lives in the Preseli hills of West Wales.

Harmonic Explorer app

The work of the late Ernest McClain [1918-2014] was based upon a technique in which ever higher numbers appear to have been studied in antiquity as to the harmonic field of intervals possible within that integer limit. Such a single number reference can be mentioned en passant within texts like The Bible, Homer’s Illiad or the Sumerian story of Gilgamesh and be ignored today as a frivolous use of large numbers, such as great ages of the gods, the number of ships, or tithe goods and so on, when in fact the numbers were referring to a musicological field relevant to the narrative and its elements.

McClain’s work was very briefly introduced in  Precessional Time and the Evolution of Consciousness (2011) in its Chapter 3 on the Age of Aries, when such calculational musicology/theology seem to have replaced the megalithic activities in Age of Taurus. After then collaborating with Ernest for a few years, after his death I attempted to make an accessible book on Ernest’ work in my 2018 book Harmonic Origins of the World.

Ernest had a fine sensibility for the Ancient Near East (or A.N.E.), its number science and symbolisms. Through many email exchanges I wanted to be able to generate his tonal diagrams for myself; to both learn more and answer specific questions. I was able to make a web page so that people like myself could more easily enter his world of tonal yantras (that look like mountains) and their corresponding tonal mandalas (the octave circle); without having to learn the method of “limiting the products of powers of three and five and then doubling all numbers to the limiting number”. This Harmonic Explorer app enables ridiculous freedom over the previously required manual calculations, including walking through limiting number space with prime factor buttons, multiplying/dividing by 2, 3, 5, 10 or 12. It can also be very useful for screen grabbing when discussing a given tuning system as in:

TRY IT NOW HERE: Harmonic Explorer

Ernest’s website has study pdf’s of his books and papers plus other resources.