Goddess of Time in the Sky

Explores the relationship between ancient astronomical practices and megalithic cultures, highlighting how early societies understood time through celestial cycles. It contrasts matrilineal hunter-gatherer societies with later patriarchal agricultural ones, suggesting that megalithic structures reflect deep, sacred knowledge of the cosmos and have influenced subsequent architectural designs across civilizations.

Above: (center) The form of the Minoan “horns of consecration”, on the island of Crete, followed (outside) the form of the manifestations of Venus in her synodic period.

Time appears to march on at what seems a constant rate. In this way time has two opposite directions, the somewhat known past and the largely unknown future. However, events in the sky repeat and so they can be predicted as seasons within a year or lunar phases within a month. Even before modern calendars, stone age humans counted the days in a month to understand recurrence of the menstrual period and know when moonlight would be strong again at night.

Figure 1 (above) L’Abri Blanchard Tally Bone 30,000 BP with (below) Alexander Marshack’s interpretation, showing marks as days shaped to express the moon’s phase, over 59 whole days or two lunar months.

Two months happen to equal 59 whole days: a lunar month is 29.53 days long, just over twenty-nine and a half, which is half of 59. In the artifact shown on the top of figure 1, each day was carved upon a flat bone, each mark appearing varied in shape and depth to show the moon’s changed phase on a given day. The flat bone enabled a cyclic shape to be used, of 59 marks, which “ate its own tail”: showing there were always the same number of days in two “moons”. This sameness emerges from dividing the recurring time of the solar day into the time of the month’s phases over two months, to give the recurring whole number of 59, then forever useful as a knowledge object.

The solar day is clearly the same duration every day and two lunar months clearly repeat twice after 59 days. But our modern life is the extended straight line of day numbers belonging to unequal months of the sun so that the loops that recur are lost in the framework of man-made time. The stone age “lesson from nature” was, that events in the sky largely run according to a definite schedule along cyclic paths, most of these being along the path of the sun, along which the sun, moon, and planets follow their own cyclicities, seen from the earth. This reliable cyclicity shaped our notion of an unchanging realm of Eternity, different to Life upon the Earth as our ever-developing present moments within Existence. In this way, knowledge from the sky came to be considered sacred, and interconnected through numbers when counted as days and months, especially through counting the often identically sized discs of the Sun and Moon and their respective years.

While astronomy started as a stone age hobby it later became a tribal science quite unlike our own astrophysics. Only latterly could farmers support city specialists that would assimilate this prehistoric science, by forming religious sciences and cosmologies in the East, of Egypt, Babylonia, India, China and so on. But millennia later, the 16th century altogether discarded this geocentric view-from-the-Earth and adopted a new heliocentric view of a solar system:  this enabled the planetary orbits of the sun to be clearly seen as mathematical ellipses by Kepler, a system soon seen to be held together by Newton’s newly intuited force called gravity, of the central sun’s large mass.

If counting the moon had synchronised both female fertility and male hunting then this shaped the format we call the hunter-gatherer, who foraged for food before there was farming. Their women formed a naturally less-mobile core for the tribe and its children, the men hunting over extensive ranges. All adults were used to working together for the greater good and, since they were in-common descended from the women, so a matrilineal society was an effective format for problems requiring larger groups.

Stone age art of the goddess seems to have been very varied and geometrical (see Language of the Goddess by Marija Gimbutas). In Sacred Geometry in Ancient Goddess Cultures, myexperience in analysing megalithic sites had caused me to question whether the megalithic monuments were the work of Neolithic or New Stone Age farming revolution moving west from the Middle East where it started. Because the farming revolution was only slowly advancing through central Europe towards the Atlantic coast (see figure 2) it was pretty much avoiding the Mediterranean. For a start, the megalithic revolution was largely taking place within the islands and hinterlands of the Mediterranean and Atlantic Coast of Europe, between 5000BC and 2500BC. It was therefore much more likely to have have been carried out by the late middle stone age (Mesolithic) people, before the farming way-of-life arrived. And the indigenous culture of old Europe was mesolithic, well established and centred around women, foraging, and matrilineage (using your mother’s name) rather than the neolithic norm, led by men, farming and patrilineage (using your father’s name).

Figure 2 The journey of the Neolithic from the Middle East (see colored circles), via central Europe, was in stark contrast to the dating (dark circles) of megalithic sites on the Mediterranean and Atlantic coasts: And the neolithic were patriarchal farmers using the seasonal year while the late middle stone age were matriarchal foragers, truly interested in the sacred time world of the celestial objects, and hence building and using the megalithic observatories. [Globe by Google Earth, data from Barry Cunliffe and Bettina Schulz Paulsson]. Figure 1.1 in Sacred Geometry in Ancient Goddess Cultures.

The Clash of the Titans

Being indigenous, the matrilineal tribes were far more likely and able to innovate the megalithic astronomy which effectively inherited from the long tradition of day counting seen on the stone age tallies like the Blanchard plaque. But this continuity of interest in the sky conflicts with the today’s model of history and our foundation myth for modern science, as grandchild of ancient Near Eastern civilizations and exact sciences, fuelled by farming on fertile soils using irrigation.

Through comparing day counts, sky time could be given geometrical forms such as the circle, square and rectangle/triangle, these rightfully considered sacred by the coherent megalithic culture on Europe’s shores. The civilization was numerate, intelligent, but not stone age in the vernacular sense, of having no ability to reason. Having an extended family of adults and no urgent need to seasonally grow crops, conserve seeds or tend their animals, nature already provided food through foraging There was a natural collaborative workforce and this perhaps explains the dearth of neolithic settlement noted alongside the earliest megalithic monuments.

Having overcome this misnomer that megaliths were automatically neolithic, a further work is required to see why our own science cannot understand the sky phenomena in the way the stone age must have. We do not today study the synodic periods of the planets because they are seen as a merely incidental composite of the planetary orbits and our solar year. But, and quite unexpectedly, the view from the Earth is supremely important since the structure of time on earth is a phenomenon reflecting the form and structure of the numerical world. This would suggest that the earth was, in some way, influenced by the abstract world of numbers to have formed  this type of time environment. This might also suggest that the evolution of Life was an intended outcome for the third planet.

Having discarded the earth-centred model of the universe and having rid ourselves of the religions and gods proposed to explain this phenomenon, modern humans are free to live in an accidental universe where one is just alive  on an existential line-of-time with no end except for death, and without any appreciation of the deeper structural recurrences, implicate within the sky. Instead there is a hotch potch Roman calendar whose roots were literally man-made.

Figure 3 Fibonacci Golden Mean. 1.618 is found in the Fibonacci approximation of 8/5 = 1.6 of the practical year of 365 days to the Venus Synod 584 days. Venus was seen as the youthful goddess, Earth as the mother of all that lives and the Moon as the wise older goddess, these together forming the ancient Triple Goddess. [photo by C. Messier for Wikipedia] see section Statues representing Knowledge in Sacred Geometry in Ancient Goddess Cultures, pages 106 to 111.

The Greek myths referred to women, but in ways designed to put matrilineage norms in a bad light. The patriarchal farmers of Jupiter-Zeus had defeated the religion of the Goddess, whose representatives had snakes (perhaps the dreadlocks of the Medusa or knowledge of the snake shaped ecliptic, see figure 3) or had kept men sexually enslaved on an island (as in the Odyssey) or sacrificed a sacred king after “a year …” (of 364 days) “… and a day” (making 365 in all). Our 7-day week derived from this Saturnian year of 364 days (52 weeks), named because the synod of Saturn is exactly 378 days (54 weeks) while the synod of Jupiter is 57 weeks. In this one is seeing through a series of invisible filters, that the ancient Greeks were against the tribal age that had preceded farming and cities, when women rather than men were most important to that way-of-life. And the western Enlightenment adopted the heliocentric planets as a binary removing the foundations of a vast past cultural corpus of religious and pre-scientific thought that had quite reasonably shown something special about the world that modern science would never choose to see. If we can fathom megalithic astronomy, its uniquely powerful discoveries will reveal what the religious texts were about: that the environment of the earth is no accident within in the universe, but that it is that of a planet for the evolution of Life.

Megalithic discoveries had been transmitted, only subconsciously, into the cultural subconscious of the later civilizations, and it was and is still informing and infecting our arts and the classical form of numeracy called mathematics. This diffusion had benefited from the clash of the Titans, namely between the matriarchal and patriarchal ways-of-life in the Eastern Mediterranean and Levant. It would be recorded in the intellectual life of the Greeks and Hebrews, thus informing Islamic then Christian world view, as a code of numbers and stories often agreeing with those of the East.

Continuity in Sacred Building

If you know how to look, one finds the units of measure and geometries of the megalithic repeated in later sacred buildings, built under disparate religions as if the design of sacred buildings had some sort of megalithic origin. The Chinese, Indian, Buddhist, Minoan, Classical Greek, Romanesque, Islamic, South Asian, Amerindian, Gothic, Sufi, and Renaissance buildings draw upon common geometric and metrological blueprints relating, for example, to the relative size of the Earth and  Moon, and the sophisticated celestial time cycles such as the eclipse phenomena, as if to celebrate the cosmic environment even though many religions had conceptualized the heavens as if not found in the sky.

For this reason, my books can explore buildings of the historical period in the same way as megalithic buildings, to demonstrate this continuity of an invisible language, as if there were people with megalithic knowledge behind the construction of buildings without the outer religion officially acknowledging this fact. And in some strange way, I and others are recapitulating ancient works as to their meaning, by employing skills belonging to the past. For example,

  • In Cappadocia, Turkey, stone cut churches inexplicably contain high levels of meaning in their dimensions and definition of circular apse and rectangular naos occupied by hermit monks.
  • Angkor Wat is shown to be a massive statement of astronomical cyclicities alongside an outer meaning of Vedic mythological carving and Indian temple design.
  • St Peter’s Basilica was a renaissance rebuilding involving many great architects, including Michaelangelo who displayed sacred geometrical skill in translating a Greek square-cross basilica design into a Latin cross cathedral design, through the golden mean relationship of a square to such a rectangle (see figure 4). St Peter’s tomb is then in the centre of a model of the Earth and Moon.

Figure 4: St Peter’s Basilica: Sacred buildings followed geometrical and numerical rules that reflect both the cycles of the sky and the geometrical methods and numerical results of the megalithic. [plan courtesy The New York Metropolitan Museum]

Chapter 11 demonstrates that the equal perimeter model of the earth and moon had been related to the now-abandoned geocentric model. The Earth is at the centre (of course) and a system of growing square areas, for each planet’s synod, grows to embrace the whole figure to show it was the archetypal form taken as the norm for Buddhist Mandalas. And mandalas have recently been used by Jungian therapists and others to enable interaction with the subconscious mind. This suggests that our very being, as micro-cosmos, is part of the Earth and its planetary Sky environment of time. Celestial time appears to be a carrier wave for reality and not just a straight line.

Figure 4 The geometry of Equal Perimeter circle and square, with moon circles, showing the influence of the time world of the earth and moon, as the true basis for far-eastern designs called mandalas.
[photo: Cesar Ojeda 17th century Tibetan -Five Deity Mandala from Sacred Number: Language of the Angels. Fig 7.20]

References

Cunliffe, Barry. Europe Between the Oceans: 9000 BC to AD 1000. Yale 2008.

Gimbutas,Marija. The Language of the Goddess. Thames & Hudson 1989.

Heath, Richard.

______Sacred Geometry in Ancient Goddess Cultures. Inner Traditions 2024.

______Sacred Geometry: Language of the Angels. Inner Traditions 2021.

______Tragic Loss of the Geocentric Arts and Sciences: When Poetry was the Language of Cosmology, NewDawnMagazine.com #185***

Marshack, Alexander. The Roots of Civilization: The Cognitive Beginnings of Man’s first Art, Symbol and Notation. Weidenfeld and Nicolson 1972.

Paulsson, Bettina Schulz. Time and Stone. The Emergence and Development of Megaliths and Megalithic Societies in Europe. Archaeopress 2017.

The Geocentric Orbit of Venus

It is helpful to visually complete the movement of Venus over her synodic period (of 1.6 years) seen by an observer on the Earth.

figure 3.13 (left) of Sacred Goddess in Ancient Goddess Cultures
version 3 (c) 2024 Richard Heath

In the heliocentric world view all planets orbit the sun, yet we view them from the Earth and so, until the 16th century astronomy had a different world view where the planets either orbited the sun (in the inner solar system) which like the outer planets orbited the earth, this view called geocentric. The discovery of gravity confirmed the heliocentric view but the geocentric view is still that seen from the Earth.

The geocentric was then assumed to be wholly superseded, but there are many aspects of it that appear to have given our ancestors their various religious views and, I believe, the megalithic monuments express most clearly a form of astronomy based upon numbers rather than on laws, numbers embedded in the structure of Time seen from the Earth, and hence showing the geocentric view had more to it than the medieval view discarded by modern science.

Venus was once considered one part of the triple goddess and the picture above shows her complete circuit both in the heavens and in front of and behind the sun. The shape of this forms two horns, firstly in the West at evening after sunset. Then she rushes in front of the sun to reemerge in the East to form a symmetrical other horn after which she travels behind the sun to eventually re-emerge in the West in a circuit lasting 1.6 years of 365 days, more precisely in 583.92 days – her synodic period.

Continue reading “The Geocentric Orbit of Venus”

Astronomy 4: The Planetary Matrix

The re-discovery of the ancient planetary matrix, seen through three my three books: Matrix of Creation, Harmonic Origins of the World and Sacred Geometry: Language of the Angels.

Harmonic Origins of the World inserted the astronomical observations of my previous books into an ancient harmonic matrix, alluded to using the sacred numbers found in many religious stories and the works of Plato, who might have been the savior of what Pythagoras had garnered from ancient mystery centers circa. 600 BC. According to the late Ernest G. McClain*, Plato’s harmonic technology had been widely practiced in the Ancient Near East so that, to the initiated, the stories were technical whilst, to the general population, they were entertaining and uplifting stories, set within eternity. Ancient prose narratives and poetic allusions conserved the ancient knowledge. Before the invention of phonetic writing in Classical Greece, spoken (oral) stories were performed in public venues. Archaic stories such as those attributed to Homer and Hesiod, gave rise to the Greek theatres and stepped agoras of towns. Special people called rhapsodes animated epic stories of all sorts and some have survived through their being written down. At the same time, alongside this transition to genuine literacy, new types of sacred buildings and spaces emerged, these also carrying the sacred numbers and measures of the megalithic to Classical Greece, Rome, Byzantium and elsewhere, including India and China.

* American musicologist and writer, in the 1970s, of The Pythagorean Plato and The Myth of Invariance. website

Work towards a full harmonic matrix for the planets

Continue reading “Astronomy 4: The Planetary Matrix”

Tragic Loss of the Geocentric Arts and Sciences

This was an article for New Dawn.

The geocentric planetary model on the left was displaced by a visually simple heliocentric model, of how the solar system would look from a distance rather than from the Earth.

About 400 years ago, the move to the Heliocentric Model of the “solar system” swept away the worldview upon which human spirituality had been based for at least 5000 years. We can say that all spiritual literature was based upon the previous cosmological norms of the Geocentric Model. It is generally not realized that the Koran, New Testament, Buddhist, Tibetan, Hindu, Pythagorean, Platonic, yogic, shamanistic, and many other primary and secondary texts including Shakespeare, alluded to the details of a geocentric cosmology: a foundational framework often debunked as inaccurate yet, the geocentric was a valid ordering of the planetary cosmos. The religious values within the model were overtaken by the new scientific norm, which was inherently materialistic in its study of physical laws and processes, these universal throughout an ever-expanding vision of the universe, through observations and experiments in physics and chemistry deducing new types of knowledge. And mankind would soon use these new laws and discoveries to exploit the universe itself.

This transition from geocentrism to heliocentrism came against a backdrop of Islamic and Christian suppression of scientific discoveries, which represented a growing desire since Classical times for human reason to escape the shackles of the oral and then bookish traditions, which broadcast their own messages as if final, to be obeyed on pain of death or at least social exclusion. In this war between religious theocracies and an emerging modern science no quarter was given to the geocentric model, even though all previous traditional thought the world over relied on it. A cleric called Copernicus suggested that everything must revolve around the Sun and not the Earth. the geocentric past was soon ditched, like the baby with the bathwater and the whole of spiritual literature lost much of its foundational imagery. Science had displaced the ancient mythologies due to its own struggle to understand the physical world. The “natural philosophers” eliminated any mysterious causes for why things happened by discovering physical causes for all phenomena, these natural and real through physical laws without any gods or spirits being involved.

Pride before a Fall

Modern science might well have reminded monotheistic clerics of Adam, the Bible’s first man eating from the forbidden fruit, plucked by Eve from the tree of the knowledge of good and evil, which grew at the centre of a geocentric Eden. Like Adam, the scientists would then have the “knowledge of good and evil” and become themselves “as gods”, and this has become true for technology. The improving standards of living for many people in the West is taken to mean the clerics were wrong to suppress science, yet humanity has fulfilled the biblical prophecy concerning Adam: the scientists, industrialists and financiers have exactly become like gods, to “know good and evil”. The spiritual locale was further abstracted from being in the heavens, by removing its foundational geocentric model; simultaneously giving science an over-realised view of a purely physical earth and cosmos.

Science gave humanity powers over the natural world, leading to explosion in the world population based upon an industrial revolution that exploited the planet, its habitats and resources, on an ever-growing rate and scale. In the Iron Age, such a tyranny could only operate on a regional scale, but science-led societies now developed a global reach and an infinite franchise, with business models whose scope was the whole globe, to advertise and consume resources as products and services. In this sense then, the clerics were right: for though the clerics might have themselves behaved like repressive iron age tyrants towards science, they lacked the technologies that could ruin the Biosphere. Science now recognises the exploitation of the Earth, its biosphere, and its people to be a major problem, forecast to grow worse before better, and already more than bad enough. But economic growth is inherently unsustainable and so, what kind of a society will it be that does not depend upon growth to fix its debts? A geocentric society?

The ancient world could and did warn what sort of an archetypal trajectory the scientists would initiate for, like Icarus, the technologists would take humanity too close to the Sun. The wax fixing the wings of wide-bodied multinationals would melt and they would suffer the fate also of Phaethon, son of Helios the Sun, whose chariot he recklessly drove for a day. Losing control, Phaethan caused havoc in the skies and on the earth, his erratic pathway being visible as the deviation of the galaxy from the sun’s path. The Earth goddess Gaia made urgent appeal to Jupiter, who hurled his thunderbolt upon the precocious lad who fell into the eternal river Eridanus.

The Origins of Geocentrism

About twenty years ago, I found simple numbers between planetary periods seen from Earth. This caused me to drop some modern assumptions about which present the ancient view of the cosmos as inferior. For example, modern history is a linear view of the past with a fixed beginning in the earliest middle eastern cities such as Sumer and Babylon (3000 to 2000 BCE). Cities make a happy starting point since we live in cities ourselves and writing arose with the early cities, providing historical records.

In 2002, Matrix of Creation published a different, cyclic view of time, where the complexity of the modern sun-centred system became simple. Looked at without modern bias and, using a scientific calculator, a geocentric astronomy of average periods identified two unexpected baselines: the practical year of 365 days (the Earth) and the lunar year of 354.375 days (the Moon). It was this geocentric simplicity that had made astronomy possible for the late Stone Age (or “neolithic”). On the western seaboard of Europe, the megalith astronomers developed the first geocentric worldview which, I believe, was then inherited by the civilizations of the ancient near eastern cities.

Several astronomical innovations were required to carry out this form of horizon astronomy. For example, without modern numeracy they had to store day counts as lengths, one inch to the day[1]. The primary innovations were,

  1. Long sightlines were established to key celestial events on the horizon, such as the sun or moon, rising or setting.
  2. The number of days were counted between horizon events, to quantify each periodicity as a measured length between points or as a rope.
  3. Different celestial periods could then be compared employing simple geometries like the triangle, circle and square, revealing the ratios between celestial periods.[2]

Musical Ratios and the Giant Planets

The lunar year of 354 ⅝ days manifests the principle of musical harmony between itself and the outer planets. At 398.88 days, the synod of Jupiter is 9/8 of the lunar year, Saturn (at 378.09 days) is 16/15 of the lunar year, while Uranus (at 369.66 days) is 25/24 of the lunar year. In the pure-tone music of the ancient world, these are the three fundamental intervals called the Pythagorean whole tone, the Just semitone, and the chromatic semitone: intervals essential to the formation of musical scales.

In 2018, Harmonic Origins of the World was able to locate these outer planetary ratios within an ancient style of harmonic matrix, implied by some of Plato’s least understood dialogues. Centuries before, Pythagoras would have learnt of such harmonic matrices, from the ancient mystery centres of his day. Harmonic matrices and tables of numbers appear to have been used by initiates of the Ancient Near East[3] to give the stories of ancient texts such as the Bible a deeper subtext beneath. Set within eternity, stories could be entertaining and uplifting while those initiated in the mysteries, could find knowledge relating to harmonic tuning and the planetary world: Tuning theory and its special numbers had come to inhabit ancient texts because the outer planets, surrounding Earth expressed the three most fundamental musical ratios, the tones and semitones found within octave scales.

Geocentric knowledge can be found conserved within ancient narratives because, before writing arose, there was an oral tradition which had to be remembered until eventually written down. The ancient mysteries arose to connect the human world of Existence to the cosmic world of Eternity, visible from the Earth. Myths of gods, heros and mortals were but a natural reflection of the harmonic worlds of the heavens into the cultural life of the people, like the moon reflected in a lake.

Sacred Geometry: Language of the Angels illustrates how new types of sacred building and space emerged, still carrying the geocentric model, its numbers and measures into Classical Greece, Rome, Byzantium and elsewhere, including India, China and the Americas. For example, the Parthenon design (figure 1) incorporates the harmony of the outer planets with the lunar year and Athena (the patriarchal moon goddess) had the same root of 45 as Adam did in the Bible’s creation story written about three centuries before.

Figure 1. The Parthenon as a musical instrument model of the Moon (960) and the outer planets (Jupiter is 1080 and Saturn is 1024.) [figure 5.16 of Sacred Geometry: Language of the Angels where many further examples are to be found.]

Fibonacci Ratios and the Terrestrial Planets

The inner planets exploit the special properties of Fibonacci numbers as approximations to the Golden Mean. The practical year of 365 days can be divided into 5 parts of 73 days, and the synodic period of Venus is then 8 parts of 73 days or 584 days. The two numbers 5 and 8 are part of the Fibonacci series {0 1 1 2 3 5 8 13 21 34 etc. } in which the next number is the sum of the two previous numbers. 8/5 is 1.6 in our notation and 73 days x 1.6 equals 116.8 days (584/5 days)[4]. This reveals the inner solar system to be a realm in which, proximity to the Sun leads to numerical relationships informed by the Fibonacci numbers – when seen from the Earth.

The synod of Mars (Ares), the outer terrestrial planet, also relates to the practical year as two semitones of 16/15, a harmonic ratio perhaps because of his proximity to the gas giant Jupiter (Zeus), who is his mythological father.

Figure 2 (left) The geocentric pentacle of 5 successive Venus synods in 8 years of 365 days, within the Zodiac and (right) the ubiquity of the golden mean within the geometry of the pentacle. Such geometrical ratios would become emblematic and sacred to the sky.

The golden mean (1.618034…) is a unique but natural short-circuit within the fractional number field: its reciprocal (equal to 0.618) is equivalent to subtraction by one while its square (equal to 2.618) is equivalent to addition by one. The Fibonacci numbers, in successively approximating the golden mean, enable planetary orbits near the Sun to express the golden mean. For example, the Venus synod is 8/5 (1.6) practical years whilst its orbital period is 8/13 (0.625) practical years, because its orbit divides the practical year as the number 1. The synod of Venus is therefore a function of that orbital period and the practical year in a practical application of discrete mathematics. This sort of resonance is found in moons close to massive planets like Jupiter and so, the inner planets are like moons of the Sun, seen from Earth – exactly as Tacho Brahe’s geoheliocentric model eventually did, after Copernicus just before gravitation was discovered.

Figure 3 The Geocentric Model as (left) a Staff and
(right) Nine Concentric Rings or “spheres”

The Geocentric Inheritance of Greece

The medieval geocentric model had its origins in ancient Greece, due to Pythagoras. This was discarded by 1600, when Copernicus showed that many of the difficulties in understanding the form of the planetary orbits were due to the placing of the Earth and Moon at the centre or bottom, and the Sun as third planet out (figure 3). If the Sun, Mercury and Venus are swapped with Earth and Moon, the heliocentric system results – ordered according to its relative gravitational masses and orbital radii.

Figure 4 The Geocentric order (left) can be expanded to show
the Harmonic and Fibonacci ordering principles (right)

When accompanied by the set of simple time periods shown in figure 4, the geocentric model may have functioned as a focal aide memoire accompanying explicit oral or written explanations. The synodic planetary periods to either the lunar year or the practical year would be easily learnt by counting time as days between celestial manifestations. This might be the reason the ancient near east did not repeat the astronomy of the megalithic monuments. Instead, temples symbolised time and space, using a canon of sacred numbers in the name of the god or god-king. Astrology became a special form of divination within which long counts could arrive at the general state of the cosmos, correctable using instrumental or naked-eye observations. All such matters were associated with the state, and its specialists, including astrologers and scribes and the geocentric planetary system was a talisman for the ancient mysteries, astronomical and harmonic.

Poetry as the Language of Geocentricity

The primordial light initiating the Bible’s old testament creation story became the Word (in Greek: “Logos”)[5], of the New Testament. The logos was a proposed structure of meaning which held the world together within the human mind, if you could receive it. The second part of the creation story is therefore to understand the original creative process as a human creative process. Language has given human perception of the world a largesse of worldviews in the making. The geocentric world view became a particularly large corpus, through the texts of the religious centres but also through a poetic tradition seeking to locate its voice within a remarkably specific, consistent, and well-mapped-out topography, with geocentrism and its astronomical numbers at its heart. If there has been any major spiritual vision within human history it was geocentric and never heliocentric, even though the Sun is prime suspect for being the creative origin of the solar system and its extra-special geocentric planet, Earth.

By my 6th book, Sacred Geometry: Language of the Angels, I realized that the numerical design within which our “living planet” sits is a secondary creation – created after the solar system. Yet the geocentric was discovered before the heliocentric creation of the solar system because the megalithic had observed the planets from the Earth. So, although the solar system was created first in time, this creation continued onwards to produce a more sophisticated planet than the rest, where the other planets had the supporting roles, which the geocentric tradition had mythically alluded to, in a stable topography of places and mythic narratives; of gods, heroes, demons, events, and humans actors, serving as the sacred texts of the ancient world. Later writers both adopted and innovated this tradition:

In its use of images and symbols as in its use of ideas, poetry seeks the typical and enduring. That is one reason why throughout the history of poetry the basis for organising the imagery of the physical world has been the natural cycle. Northrop Frye, 1960.

Using literary criticism, Northrop Frye saw past the habitual assumption that high poets were artfully but merely remarking upon the sensory life and its everyday recurrences. Instead, he realised that living cycles were often employed as “similarities to the already arisen”, as Gurdjieff put it[6], meaning that the planetary world was being expressed by proxy through the natural cycles within poetry. And Life does depend upon the eternal cycles within which it sits: The spin and obliquity of the Earth and the orbit of its large moon. These two bodies are profoundly connected numerically to the rest of the planets according to the vision of the geocentric model, involving both Fibonacci and harmonic cycles. Frye first became aware of link between cosmology and poetry when analysing the works of William Blake, the poet who appeared to “make up” his own original yet geocentric cosmology and language; causing Frye to state “poetry is the language of cosmology”. Long after the heliocentric had suspended any belief in the geocentric, its language and metaphors still formed a stable tradition amongst poets, through the influences of a classical education.

The geocentric topography is quite standardized among its world-wide variation in imagery, over thousands of years, all quite agreeable with that used by Dante in The Divine Comedy, summarised by Frye in his essay New Directions from Old[7] as follows.

…For poets, the physical world has usually been not only a cyclical world but a “middle earth,” situated between an upper and a lower world. These two worlds reflect in their form the heavens and hells of the religions contemporary with the poet, and are normally thought of as abodes of unchanging being, not as cyclical. The upper world is reached by some form of ascent and is a world of gods or happy souls. The most frequent images of ascent are the mountain, the tower, the winding staircase or ladder, or a tree of cosmological dimensions. The upper world is often symbolized by the heavenly bodies, of which the one nearest to us is the moon. The lower world, reached by descent through a cave or under water, is more oracular and sinister, and as a rule is or includes a place of torment and punishment. It follows that there would be two points of particular significance in poetic symbolism. One is the point, usually at the top of a mountain just below the moon, where the upper world and this one come into alignment, where we look up to the heavenly world and down on the turning cycle of nature.[8]

By the time of the medieval, the image of the geocentric world had sprouted a sublunary gap between the Earth and the Moon with a rudimentary physics of the four elements – which are the four states of matter: solid earth, liquid water, gaseous air and a transformative fire; ideas from the pre-Socratic philosophers. With this palette, the storyteller or poet could allude to an invariant world view based upon megalithic astronomy, but now held as a diagram, made familiar through ever-new expressions or as an oral then written text.

A Simplified Model of Prehistory

The simplest explanation for which there is good evidence finds Atlantis to have probably been an Egyptian myth about the megalith builders on the Atlantic seaboard of Europe, whose astronomical knowledge became enshrined in the ancient mysteries. These mysteries have been made doubly mysterious since the modern age replaced the world view upon which those mysteries were based by the Copernican heliocentric view. This new solar system was soon discovered to be held together, not by the divine world, but by invisible gravitational forces between the large planetary masses and an even more massive Sun, forces elucidated by Sir Isaac Newton. The primacy of heliocentrism caused modern humanity to further lose contact with the geocentric model of the world and its two serpents, of the inner and outer planets (figure 4), a literary tradition that had lasted since at least 3000 BC.

If one but swapped the sun and moon-earth system, the geocentric planetary order became the heliocentric planetary order. The Copernican revolution seemed to be a minor tweak of a less useful model but tragically, the geocentric references to an original form of astronomy, based upon numerical time and forged by the megalithic, were lost and invisible to heliocentric astronomy. Science came to know nothing of the geocentric order surrounding the Earth and blind to the significance of the mythic worlds that animated the geocentric model.

You can find many additional articles at sacred.numbersciences.org


[1] It is remarkable that the inch was one of the first units of length used by the megalithic in Carnac to count days.

[2] These matters are fully explained, most in Sacred Geometry: Language of the Angels.

[3] According to the late Ernest G. McClain (https://ernestmcclain.net/), American musicologist and writer, in the 1970s, of The Pythagorean Plato and The Myth of Invariance.

[4] one fifth of the Venus synod is therefore close to the synod of Mercury (115.88 days).

[5] John X:Y

[6] “… the [whole] presence of every kind of three-brained being … is an exact similitude of everything in the Universe.” Beelzebub’s Tales to his Grandson. G.I.Gurdjieff. 345. Similar to the Pythagorean tradition of the human being a microcosm of the macrocosm.

[7] found in Myth and Mythmaking ed: H.A. Murray, Wesleyan University Press.115-131. 1959.

[8] ibid. 123.

Double squares: Venus and the Golden Mean

The humble square, with side length equal to one unit, is like the number one. It’s area is one square unit and, when we add another identical square to one side, the double square appears. Above right the Egyptian Djed column is shown within a double square. The Djed is the rotating earth which the gods and demons have a tug of war over. This is also a key story in the Indian tradition, called The Churning of the Oceans, where the churning creates both the food of the gods (soma) and every wonderful thing that emerges upon the Earth. In this, the double square symbolized the northern and southern hemispheres of the Earth. The anthropomorphic form Djed shown above has elbows indicative of the Double square.

Figure 1 The churning of the ocean (Samudra Manthan in Sanskrit)

The Djed appears to be the general principle of rotation of, and apparent motion around, the earth.

Continue reading “Double squares: Venus and the Golden Mean”

Hounds & Jackals as Venus Counter

The Petrie Museum has a game called Hounds & Jackals or 58 holes, from Egypt’s Middle Kingdom and widely found elsewhere, in the ancient world. Two players had a set of sharp ended sticks with animal heads, which sat in each of the 29 + 29 = 58 holes. The top hole is larger (as with the Cretan 34-hole circular kernos, at Malia in Crete).

Cretan 34-hole Kernos

One can see the possibilities in such artifacts stored objective numerical information while being kept, within the cultural life of the people, through having a valuable everyday purpose (rather like the 52 playing cards do). This was exactly how Gurdjieff saw it that, he proposed a meeting of wise men in Babylon, it was seen that ancient knowledge would be forgotten were it not that art, games, buildings, dances, music and so on were designed to incorporate the knowledge until such time that human would be able, once again, to understand what they meant. In his book Beelzebub’s Tales he termed such artifacts as being logominisms, loosely translating to “meaning objects”.

Continue reading “Hounds & Jackals as Venus Counter”