Category: Harmonic Origins of the World

Parthenon as a New Model of the Meridian

This was published as The Geodetic And Musicological Significance Of The Shorter Side Length Of The Parthenon As Hekatompedon Or ‘Hundred-Footer’ in Music and Deep Memory: Speculations in ancient mathematics, tuning, and tradition, in memoriam Ernest G. McClain. Edited by Bryan Carr and Richard Dumbrill. pub: Lulu. photo: Steve Swayne  for Wikipedia on Parthenon.

This note responds to Kapraff and McClain’s preceding paper, in which they discover a many-faceted musical symbolism in the Parthenon. Specifically,  Ernst  Berger’s  new measurements include the shorter side of the triple pedestal of the monument as an accurate length to represent one second of the double meridian of the earth. By applying a knowledge of ancient metrology, Anne Bulckens’ doctoral derivations of a root foot can resolve to a pygme of 9/8 feet, of which one second of latitude would contain 90 such feet. However, as a ‘hundred footer’, the foot  length  should  then be 81/80 (1.0125) feet, the ratio  of  the syntonic comma. This would indicate a replacement, by Classical times, of the geographical constant of 1.01376 feet  within the model of the earth since the original model, by the late megalithic, assumed that the meridian was exactly half of the mean circumference of the earth. These alternative geographical constants co-incidentally represent the ubiquitous theme in ancient musicology of the transition between Pythagorean and  Just tunings and their respective commas of Pythagorean 1.01364 … (in metrology 1.01376) and syntonic 81/80 (1.0125).

By Classical times the term hekatompedon or ‘hundred-footer’ had evolved, to describe the ideal dimensionality of Greek peristyle temples. One of the earliest, the Heraion of Samos, came to be 100 feet long by the end of the 8th century[1], in contrast to the surface width of the Parthenon’s stylobyte which had been established as in the range 101.141 (Stuart, c.1750) to 101.341 (Penrose in 1888) feet[2].

Recent measurements in 1982 by Ernst Berger[3] found that the top surface of the stylobyte was just over 101.25 feet wide4 and that the most frequently occurring length was 857.6 mm. Anne Bulckens’[5] corresponding foot measure for this would be a step of 2.5 feet, each of 9/8 (1.125) feet, to within
one part in 2500; a foot length called a pygme within historical metrology, after the size of small men first mentioned when Herakles was travelling back from India6. The shorter ends of the Parthenon’s stylobyte would then be 90 such feet across.

However, should the two ends be divided by 100, the required foot length of 101.25 feet becomes a microvariation of the English foot, namely 81/80 (1.0125) feet, a ratio identical with the syntonic comma. This is another ratio crucial to the history of ancient tuning theory; being found between pure Pythagorean tones (9/8) and their counterparts within just tuning (10/9); when string lengths are given specific whole number lengths to specify their pitches intellectually.

1. Hurwit, Jeffrey M., (1987), The Art and Culture of Early Greece, 1100-480 B.C., Cornell: Ithaca, 74-77
2. Berriman, A.E., (1953) Historical Metrology, London:
Dent. IX, 116-120.
3. Berger, E., ed. (1986) Parthenon-Kongress Basel, 2 Vols, Mainz: Philipp von Zabern.
4. an average noted by Berriman, 119.
5. Bulckens, A.M. (1999) The Parthenon’s Main Design Proportion and its Meaning, [Ph.D. Dissertation], Geelong: Deakin University, 269 pp. ; (2001) The Parthenon’s Symmetry in Symmetry: Art and Science (Fifth Interdisciplinary Symmetry Congress and Exhibition of the ISIS-Symmetry), (Sydney, 2001), no. 1-2, pp. 38-41.
6. Philostrates of Lemnos (c. 190 – c. 230 AD) Imagines Heracles among the Pygmies, see Loeb Classical Library

A recent article by Jay Kapraff and Ernest McClain[7] observes that the width of the Parthenon symbolically defined one second of latitude (taking surface lengths as linear fractions of latitude). This implies the double meridian length was known within 0.003% of its modern estimation.

A geodetic symbolism was apparently given to shorter side length of the Parthenon, making it smaller than it would have been if modelled on the circumference of the earth as one 3,600th of one 360th part of the mean earth. If so, this geodetic meaning of the Parthenon can be compared with monuments built two thousand years earlier, such as Stonehenge and the Great Pyramid of Giza, within which the relationship of the mean earth was specified, relative to the polar radius, using the same metrological system.

The ancient model of the earth, recovered[8] by John Neal[9] and John Michell[10], used three different approximations of π to model the distortion of
the rotating planet relative to its mean, or perfectly spherical, size. In that model, the Meridian was assumed to be half the circumference of the mean earth of 44 times 126 (131,383.296) feet or 24,883.2 miles. Had the Parthenon’s builders used this model then its ends would be 101.376 feet in width and one hundredth of this would be a foot of 1.01376 feet, the foot known as the ‘Standard Geographical’ Greek foot[11].

The mean circumference of the earth (24,883.2 miles) and the actual double meridian length (24,859.868 miles) are in the same ratio as the geographical foot of 1.01376 (3168/3125) and 1.0125 feet: the 81/80 foot measure that makes the Parthenon’s 101.25 feet a ‘hundred footer’. It is therefore reasonable to assume that, between the building of Stonehenge and Great Pyramid (by 2,500 B.C.) and the building of the Parthenon (designed by 447 B.C.), a more accurate
measurement of the Meridian had superseded the previous assumption, within the old model, that the Meridian was half the length of the mean earth circumference.

7. The Proportional System of the Parthenon, in preparation for the In Memoriam volume for Ernest McClain (1918-2014)
8. Michell by 1980 and Neal, fully formed, by 2000.
9. Neal, John (2000) All Done With Mirrors, Secret Academy, London.
10. Michell, John (1982) Ancient Metrology, Pentacle Books, Bristol, 1982; (2008 new ed.) Dimensions of Paradise, Inner Traditions: Rochester.

Further to this, one can see how the transition from Pythagorean to just tuning systems[12] is strangely present in the relationship between the mean earth circumference and the actual meridian length, since the geographical constant of 1.01376 is near identical to the Pythagorean comma of 1.0136433 while the (chosen) ratio of 1.0125 is the syntonic comma and this, times 100, is near identical to the actual length of one second of latitude which would be 100 times 1.0128 feet[13], just one third of an inch different from a more
modern result.

The Parthenon ‘Hundred footer’ was able to dimensionally reference one second of the Meridian by having its shorter sides one hundred feet of 1.0125 feet long. Aligned to north, this presented accurate Classical knowledge of the
Meridian’s length. The monument expresses other musicological features via its metrology: the 81/80 foot unit is 125/128 of the Athenian foot of 1.0368 feet, a musical interval called the minor diesis, also found within just intonation and equaling the deficiency of three major thirds to the octave

12 The latter prevalent in other aspects of the monument, see Kappraff, J. and McClain, E.G. (2005: Spring–Fall) The Proportions of the Parthenon: A work of musically inspired architecture, Music in Art: International Journal for Music Iconography, Vol. 30/1–2.
13 A non-harmonic 79/78 feet.

Walking on the Moon

There are plans to walk again on the moon (above is a NASA visualization), but there is a sense in which the surface of the moon belongs to the surface of the earth, since the earth’s circumference is 4 times the mean diameter of the earth, minus the moon’s circumference.

The Earth and Moon were formed out of an early collision which left the two bodies in an unusual relationship to one another, in more ways than one. Here we discuss the diameter (and circumference) of each body as a sphere as being in the ratio 11 to 3. The diameter of the Moon is 2160 miles so that the common unit is 720 miles (the harmonic constant) and the diameter of the spherical mean earth would be 7920 miles.

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Working with Prime Numbers

Wikipedia diagram by David Eppstein :
This is an updated text from 2002, called “Finding the Perfect Ruler”

Any number with limited “significant digits” can be and should be expressed as a product of positive and negative powers of the prime numbers that make it up. For example, 23.413 and 234130 can both be expressed as an integer, 23413, multiplied or divided by powers of ten.

What Primes are

Primes are unique and any number must be prime itself or be the product of more than one prime. Having no factors, prime numbers are odd and cannot be even since the number 2 creates all the even numbers, meaning half of the ordinals are not prime once two, the first “number” as such, emerges.

Each number can divide one (or any other number) into that number of parts. In the case of three (fraction 1/3) only one in three higher ordinal numbers (every third after three) will have three in it and hence yield an integer when three divides it.

Four is the first repetition of two (fraction ½) but also the first square number, which introduces the first compound number, the geometry of squares and the notion of area.

Ancient World Maths and Written Language

The products of 2 and 3 give 6, 12, etc., and the perfect sexagesimal like 60, 360 were combined with 2 and 5, i.e. 10, to create the base 60, with 59 symbols and early ancient arithmetic, in the bronze age that followed the megalithic and Neolithic periods.

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The Integration of the Megalithic Yard

Above is a proposed geometric relation between Thom’s megalithic yard (2.72 feet), the royal cubit (1.72 feet) and the remen (1.2 feet). Alexander Thom’s estimate for it based on decades of work was refined from 2.72 to 2.722 feet at Avebury. If the origins of it are astronomical, then its value emerges from the Metonic period of 19 years which is 235 lunar months, making its value 19/7 feet or more accurately 2.715428571 (19008/7000) feet and this makes it 2.7 feet x 176/175 within ancient metrology. Another astronomical derivation is found at Le Manio as the difference between three lunar and three solar years, when counted in day-inches as 32 + 5/8th inches which is 2.71875 (87/32) feet. The megalithic yard of Thom’s first appraisal, of 2.72, probably arose from its megalithic rod (MR) of 6.8 feet since, the Nodal Period of the moon’s nodes take 6800 days which in feet would be 1000 MR. For a fuller explanation see my the appendix of my Language of the Angels book and my discussions of the Cumbrian stone circle, called Seascale by Thom and the only known example of a Type D flattened circle.

One can see that the Megalithic Yard is a tale of many variations, some of which might not consider how or why the megalithic might have come to adopt such a yard. I have come to trust simple integers and ratios to guide me to a possible megalithic pathway. To demonstrate, the above megalithic yard at Le Manio, of 32.625 inches is 29/32 of the English yard, and 32 lunar months (at Le Manio Quadrilateral) is 29 AMY. Such simple rationics is explored here.

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Introduction to my book Harmonic Origins of the World

Over the last seven thousand years, hunter-gathering humans have been transformed into the “modern” norms of citizens (city dwellers) through a series of metamorphoses during which the intellect developed ever-larger descriptions of the world. Past civilizations and even some tribal groups have left wonders in their wake, a result of uncanny skills – mental and physical – which, being hard to repeat today, cannot be considered primitive. Buildings such as Stonehenge and the Great Pyramid of Giza are felt anomalous, because of the mathematics implied by their construction. Our notational mathematics only arose much later and so, a different maths must have preceded ours.

We have also inherited texts from ancient times. Spoken language evolved before there was any writing with which to create texts. Writing developed in three main ways: (1) Pictographic writing evolved into hieroglyphs, like those of Egyptian texts, carved on stone or inked onto papyrus, (2) the Sumerians used cross-hatched lines on clay tablets, to make symbols representing the syllables within speech. Cuneiform allowed the many languages of the ancient Near East to be recorded, since all spoken language is made of syllables, (3) the Phoenicians developed the alphabet, which was perfected in Iron Age Greece through identifying more phonemes, including the vowels. The Greek language enabled individual writers to think new thoughts through writing down their ideas; a new habit that competed with information passed down through the oral tradition. Ironically though, writing down oral stories allowed their survival, as the oral tradition became more-or-less extinct. And surviving oral texts give otherwise missing insights into the intellectual life behind prehistoric monuments.

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Twelve: determining Time and Space on the Earth

ABOVE: South rose window in Angers Cathedral of Saint Maurice. Stained glass by Andre Robin created after the fire of 1451. At centre, Christ of the Apocalypse, in glory (Revelation 21:5). At bottom, 12 radial windows showing 12 elders, crowned and playing musical instruments, rejoicing, indicating the remade world (the heavenly Jerusalem). At top, circular ends of 12 radial windows showing the 12 signs of the Zodiac, indicating the incarnation of Christ as a man on earth under the stars. Sequence from left to right has last 2 signs before first, i.e. Aquarius/Water-bearer (grey), Pisces/Fish (grey), Aries/Ram, Taurus/Bull (yellow), Gemini/Twins, Cancer/Crab (red), Leo/Lion (yellow), Virgo/Virgin, Libra/Scales, Scorpio/Scorpion, Sagittarius/Archer, Capricorn/He-goat (blue background)
photo: Chiswick Chap for Wikipedia Foundation.

The Moon was the means by which a 12-fold harmony became established on the Earth. This harmonization occurred through the lengthening of the lunar month until 12 months fitted, in a special way, within the solar year. The excess of the solar year over the lunar year of 12 months became 7/19 lunar months, causing seven extra whole months over 19 years. This 19-year (235 month) Metonic period was well-known to the ancient world, and it leads to the remarkably short cycle for the pattern of similar eclipses, we call the Saros period, which repeat every 18 years (235 minus 12 months = 223 months). And eclipses are highly visible because the disk of the Moon has come to be the same angular size as the disk of the Sun, causing total solar eclipses.

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