Category: near Carnac

Brittany, France

St Pierre 1: Jupiter and the Moon

The egg-shaped stone circles of the megalithic, in Brittany by c. 4000 BC and in Britain by 2500 BC, seem to express two different astronomical time lengths, beside each other as (a) a circumference and then (b) a longer, egg-shaped extension of that circle. It was Alexander Thom who analysed stone circles in the 20th century as a hobby, surveying most of the surviving stone circles in Britain and finding geometrical patterns within irregular circles. He speculated the egg-shaped and flattened circles were manipulating pi so as to equal three (not 3.1416) between an initial radius and subsequent perimeter, so making them commensurate in integer units. For example, the irregular circle would have perimeter 12 and a radius of 4 (a flattened circle).

However, when the forming circle and perimeter are compared, these can compare the two lengths of a right-triangle while adding a recurring nature: where the end is a new beginning. Each cycle is a new beginning because the whole geocentric sky is rotational and the planetary system orbital. The counting of time periods was more than symbolic since the two astronomical time periods became, by artifice, related to one another as two integer perimeters that is, commensurate to one another, as is seen at St Pierre (fig.3).

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The Three Worlds at Gavrinis

following on from previous post,
an article by M Guillaume found in
AAK Etudes et Travaux No. 1, 1977

Do these three stages [at Gavrinis] not correspond to the three creations, probably inherited by Celts, and  those in Egypt, preceding access to a sanctuary?

Fig. 10 Top left: A tracing of the Druid worlds, the circle in the square defining three areas: Abred (circle of necessity) and Annouim and Gwenwed (the white world). Top right:  On the stone Suèvres, these worlds are the figures by concentric squares. Bottom: In Christianity we find the same structure: this rose at Chartres has a fourth inner circle.
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Gavrinis: On Crossing the Three Thresholds and Entering The Room

following on within an article by M Guillaume found in AAK Etudes et Travaux No. 1, 1977

These half-circles facing upwards – do we not find them repeated a thousand times in the “necklaces” of the Goddess?

Fig. 12 Stones 4 and 5
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Symbolic “forms in movement” at Gavrinis

In this article M.Guillaume introduces some of the AAK’s work on understanding the Gavrinis chambered cairn. It appeared in the first volume of Etudes et Travaux, May 1977, pages 45-51.

It has been translated from French as best I can, in three parts with links between. It was first re-published on the web between 2010-2012 to honour the fact I was given copies of the magazine when visiting Carnac in 2004.

Whilst my interest was site interpretation using numbers, the notion of a vision quest within Gavrinis as an experienced structure is appealing.

What especially strikes one on entering Gavrinis is the extreme  homogeneity of the whole work.

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Gavrinis 1: Its dimensions and geometrical framework

This article first appeared in my Matrix of Creation website in 2012 which was attacked, though an image had been made. Some of this material appeared in my Lords of Time book.

photo For Wikipedia by Mirabella.

Gavrinis and Tables des Marchands are very similar monuments, both in the orientation of their passageways and their identical latitude. Gavrinis is about 3900 metres east of Tables des Marchands but, unlike the latter, has a Breton name based upon the root GVR (gower). Both passageways directly express the difference between the winter solstice sunrise and the lunar maximum moonrise to the South, by designing the passages to allow these luminaries to enter at the exact day of the winter solstice or the most southerly moonrise over many lunar orbits, during the moon’s maximum standstill. Thus both the monuments allow the maximum moon along their passageway whilst the winter solstice sunrise can only glance into their end chambers.

From Howard Crowhurst’s work on multiple squares, we know that this difference in angle is that between a 3-4-5 triangle and the diagonal of a square which is achieved directly by the diagonal of a seven square rectangle.

Figure 1 The essence of difference between the winter solstice sunrise (as diagonal of 4 by 3 rectangle) and southerly maximum moonrise (as diagonal of a single square), on the horizon, is captured in the diagonal of a seven squares rectangle.
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